Debut, Music, ReviewsOctober 1, 2024<October 1, 2024 Review: Maya Ixta’s Debut EP ‘Diary Entries’ Takes Us on a Vulnerable Musical Journey by Mitch Mosk
Features, Interviews, Music, Track-by-TrackOctober 1, 2024<October 1, 2024 “Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’ by Mitch Mosk
Festival, Music, ReviewsOctober 1, 2024<October 1, 2024 Review: Life’s So Fun at Forest Hills Stadium’s First-Ever All Things Go Music Festival by Julia Dzurillay
Interviews, MusicOctober 1, 2024<October 1, 2024 Interview: With ‘For all my eyes have seen,’ Rowan Drake Is Compensated for His Grief by Noah Wade
Columns, Music, Today's SongOctober 1, 2024<October 1, 2024 “I love the way it feels to be a hater”: Infinity Song Serve Up the Perfect Singalong for Your Inner Critic in “Hater’s Anthem” by Stephanie Bento
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024 “It’s the moments of silence and stillness that have the heaviest weight”: The Mysterines Shine a Light on the Dark Depths of ‘Afraid of Tomorrows’ by Mitch Mosk
Features, Lists, MusicSeptember 30, 2024<December 4, 2025 The Best Albums of 2024 (So Far) by Atwood Magazine Staff
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024 “Music is essentially an infinite puzzle”: Jamie Stewart Discusses the Inimitable Sounds of Xiu Xiu by Frederick Bloy
Columns, Music, Today's SongSeptember 29, 2024<September 29, 2024 Today’s Song: Zero Sun Drift in and Out of Wistful Romance & Regret on “If I’m Ever Gonna Change Your Mind” by David Diame
Columns, Music, Today's SongSeptember 28, 2024<September 28, 2024 Today’s Song: Pa Sheehy’s “Under the Orange Sky” Reflects on Love & Loss With Evocative Melodies and Poignant Lyricism by Danielle Holian
Features, Interviews, MusicSeptember 27, 2024<October 1, 2024 Interview: Pale Waves Reexamine the Past on Dreamy, Anthemic Fourth Album ‘Smitten’ by Aaron Childree
Features, Interviews, Music, Track-by-TrackSeptember 27, 2024<March 2, 2025 Feature: The Howl & The Hum’s Sam Griffiths on Making ‘Same Mistake Twice,’ an Album Full of Dread, Joy, & Human Breath by Mitch Mosk
Interviews, MusicSeptember 27, 2024<September 27, 2024 Interview: Ellee Duke Finds the Strength to Rise Above Her Bullies With “fragile” by Chloe Robinson
Music, Music Videos, PremieresSeptember 26, 2024<September 26, 2024 “I’ve been doing wrong things”: Brother Elsey Premiere Their Intimate Alt-Rock Anthem of Self-Sabotage & Surrender by Mitch Mosk
Music, Music Videos, PremieresSeptember 26, 2024<September 26, 2024 “The branches of a willow know the veins in my body”: Singer/Songwriter Bailey Bigger Dreams of Death & Rebirth on “Resurrection Fern,” a Song of Stillness, Serenity, and Connection by Mitch Mosk
For the Love of Music
For the Love of Music
