Features, Interviews, Music, Track-by-TrackSeptember 18, 2023<September 19, 2023 “A technicolor hug”: Phosphene ‘Transmute’ Pain into Human Connection on Kaleidoscopic Third LP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023 Feature: MAITA Is Transformed on Her Raw, Alive, & Vulnerable Acoustic Album, ‘Loneliness’ by Mitch Mosk
Features, Interviews, MusicAugust 2, 2022<August 2, 2022 Right Behind You: A Conversation with Portland’s Resident Spoon Benders by Ben Niesen
Columns, Music, Today's SongMay 31, 2022<May 31, 2022 Today’s Song: Matt Dorrien Explores the Melancholy on His Quietly Lovely “That Gets Me Through” by Beau Hayhoe
Music, Reviews, Track-by-TrackJanuary 26, 2021<May 1, 2023 “Fielded, Holding, Placement”: Lisa/Liza Evokes Stillness with Raw Folk Album ‘Shelter of a Song’ by Mitch Mosk
Music, PremieresMay 18, 2020<May 18, 2020 EP Premiere: DoomFolk StarterKit’s ‘SleepyGhost’ Is a Beautiful Result of Creating Within Time Constraints by Lowndes Commander
Music, ReviewsJuly 22, 2019<July 22, 2019 Review: The Portland Ambience of Rose City Band’s Self-Titled Debut by Ben Niesen
Music, PremieresFebruary 6, 2019<February 6, 2019 Premiere: The Haunting Warmth of Clara Baker’s “Middle of the Night” by Mitch Mosk
Music, Premieres, ReviewsOctober 17, 2018<October 16, 2018 EP Premiere: Yeses Debuts with Majestic Alt-Folk Wonder by Mitch Mosk
For the Love of Music
For the Love of Music
