Columns, Music, Today's SongFebruary 7, 2024<February 7, 2024 “Oh my God, take me back the way that I was”: Suki Waterhouse’s Riveting, Cinematic Anthem “OMG” Yearns for What Once Was by Lauren Turner
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
Features, Music, ReviewsFebruary 7, 2024<February 7, 2024 Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return by Aidan Moyer
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024 “Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity by Mitch Mosk
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024 “What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self by Kendall Graham
Debut, Features, Interviews, MusicFebruary 6, 2024<February 6, 2024 “Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
7.7 Music, Our Take, ReviewsFebruary 6, 2024<February 6, 2024 Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’ by Josh Weiner
Features, Interviews, MusicFebruary 5, 2024<February 5, 2024 Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process by Kendall Graham
Columns, Music, Today's SongFebruary 5, 2024<February 5, 2024 Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream by Mitch Mosk
Columns, Music, Music & CitiesFebruary 5, 2024<March 19, 2024 Music & Cities: U2’s ‘Achtung Baby’ Resonates from New York to México by David Buyze
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024 Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music by Olivia Martinez
Columns, Music, Today's SongFebruary 2, 2024<April 4, 2024 “A picture of a soul seeking freedom”: Emily Wurramara’s Mystical “Magic Woman Dancing” Is an Empowered & Impassioned Liberation by Mitch Mosk
Features, Interviews, MusicFebruary 2, 2024<February 2, 2024 “A canvas for my grief”: Hunter Metts Discusses the Loss & Love at the Heart of “Somehow You’re Always There” by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024 “A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life by Mitch Mosk
For the Love of Music
For the Love of Music
