Features, Lists, MusicJanuary 3, 2024<January 4, 2024 Atwood Magazine’s 2023 Albums of the Year by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<September 25, 2023 Feature: Soda Blonde ‘Dream Big’ and Win Big on Ambitious, Empowered, & Liberating Sophomore Album by Mitch Mosk
Music, PremieresAugust 17, 2023<August 17, 2023 Premiere: Soda Blonde’s Cinematic “Midnight Show” Is a Passion & Purpose-Driven Anthem for Unapologetic Artists by Mitch Mosk
Columns, Editor's Picks, Features, MusicJuly 27, 2023<August 24, 2023 Editor’s Picks 105: Soda Blonde, Bombay Bicycle Club, JayWood, The Slow Show, Sarah Crean, & S. Carey x John Raymond! by Mitch Mosk
10 Debut, Features, Interviews, MusicJuly 9, 2021<February 7, 2022 A Beautiful Catharsis: Soda Blonde Shine a Light in the Dark on Outstanding Debut ‘Small Talk’ by Mitch Mosk
Artist to Watch, Music, Reviews, This Just InMarch 30, 2021<March 30, 2021 This Just In: Soda Blonde Make a Big Statement with Smoldering Single “Small Talk” by Mitch Mosk
Features, MusicJanuary 19, 2021<April 8, 2021 Atwood Magazine’s 2021 Artists to Watch by Atwood Magazine Staff
Music, Reviews, This Just InSeptember 24, 2020<September 24, 2020 This Just In: Soda Blonde’s Intimate New Song “Love Me World” Is an Irresistible Indulgence by Mitch Mosk
Features, Interviews, MusicMay 29, 2020<August 23, 2020 Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown by Mitch Mosk
Features, Interviews, MusicApril 16, 2020<May 15, 2020 Interview: Artist-to-Watch Soda Blonde Soar in Stunning Debut EP ‘Terrible Hands’ by Mitch Mosk
For the Love of Music
For the Love of Music
