Features, Interviews, Music January 29, 2021 February 5, 2021 Developing a Voice & Spreading Joy Amidst an Apocalypse: A Conversation with Baio by Francesca Rose
Music, Sophomore Series June 22, 2020 October 27, 2020 The Sophomore Series: Blood Orange’s ‘Cupid Deluxe’ & Vampire Weekend’s ‘Contra’ by Leo Culp
Features, Music, Reviews December 20, 2019 March 6, 2020 Atwood Magazine’s 2019 Songs of the Year by Staff
Albums of the Decade, Columns, Features, Music December 13, 2019 January 9, 2020 Our Favorite Albums of the Decade: 2019 by Staff
Columns, Music, Nostalgia Tracks, Reviews November 14, 2019 December 17, 2020 Nostalgia Tracks: Vampire Weekend’s Pilgrimage on “Hannah Hunt” by Dahlia
Albums of the Decade, Columns, Features, Music November 1, 2019 December 5, 2019 Our Favorite Albums of the Decade: 2013 by Staff
Albums of the Decade, Columns, Features, Music October 11, 2019 December 5, 2019 Our Favorite Albums of the Decade: 2010 by Staff
Features, Music, Reviews July 3, 2019 July 23, 2019 Roundtable Discussion: A Review of Vampire Weekend’s ‘Father of the Bride’ by Staff
Columns, Features, Music, Weekly Roundup January 25, 2019 January 30, 2019 Atwood Magazine’s Weekly Roundup: January 25, 2019 by Staff
Features, Music, Reviews, This Just In January 25, 2019 December 18, 2019 Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction by Mitch Mosk
Columns, Music, Nostalgia Tracks January 11, 2018 January 11, 2018 Nostalgia Tracks: Vampire Weekend’s Religiously-Charged “Unbelievers” Makes Soul-Searching Fun by Sara Santora
Debut, Features, Music, Our Take, Reviews May 5, 2016 May 13, 2016 Our Take: The Controlled Chaos of Vista Kicks by Mitch Mosk
For the Love of Music
For the Love of Music
