Music, PremieresDecember 7, 2018<December 7, 2018 Premiere: Fleurie’s Enchanting “Love Has No Limits” Closes Out 2018 Beautifully by Adrian Vargas
Columns, Music, Today's SongDecember 7, 2018<December 7, 2018 Today’s Song: Gengahr Embrace Vulnerability in “Where Wildness Grows” by Ditta Demeter
Music, PremieresDecember 6, 2018<December 6, 2018 Premiere: Night Lights Dazzle with Intimate “Talk to Me (stripped)” by Mitch Mosk
Interviews, Music, PremieresDecember 6, 2018<December 6, 2018 The Celestial Intimacy of Astralingua’s “A Poison Tree” by Mitch Mosk
Columns, Music, Today's SongDecember 6, 2018<December 6, 2018 The Water Cycle Embody Nostalgia & Infatuation in “(You’re So Square) Baby I Don’t Care” by Coco Rich
Features, Interviews, Music, ReviewsDecember 6, 2018<December 5, 2018 Feature: Gabrielle Aplin Dives into Her Raw, Breathtaking “My Mistake” by Mitch Mosk
Columns, Music, Music Videos, ViewfinderDecember 5, 2018<February 6, 2024 Viewfinder: “Company” and “All Is Full of Love” Examine the Interplay Between Love & Technology by Carmen Chan
Music, PremieresDecember 5, 2018<December 5, 2018 Premiere: Falling for Gavin Haley’s Raw, Heartfelt Confessional “Jet Lag” by Mitch Mosk
Features, Music, ReviewsDecember 5, 2018<January 16, 2019 Roundtable Discussion: A Review of The 1975’s ‘A Brief Inquiry into Online Relationships’ by Atwood Magazine Staff
Music, PremieresDecember 5, 2018<January 17, 2023 Premiere: The Bold, Impassioned Grace of Upstate’s “Who Knows” by Mitch Mosk
Music, Music Videos, PremieresDecember 5, 2018<December 4, 2018 Premiere: Using Metaphors to Understand Sadness in Zoe Boekbinder’s “Shadow” by Francesca Rose
Debut, Music, ReviewsDecember 4, 2018<December 4, 2018 EP Review: Embracing Youth & the Power of Gen Z with Conan Gray’s Debut ‘Sunset Season’ by Jesse Herb
Music, PremieresDecember 4, 2018<December 4, 2018 Premiere: The Enchanting Weight of Tishmal’s “Heavy” by Mitch Mosk
Interviews, Music, Music Videos, PremieresDecember 4, 2018<December 4, 2018 Premiere: Indulge in Tessa Rae’s Alluring, Self-Aware “Digital Girl” by Mitch Mosk
Music, ReviewsDecember 4, 2018<December 4, 2018 EP Review: Spirit Houses Show the Intricacies of Pain on ‘Two Passing Ships’ by James Crowley