Columns, Music, Today's SongMarch 31, 2024<March 30, 2024 Wild Pink’s New Wavey “Air Drumming Fix You” Leads Their Lush, Richly Crafted Surprise EP, ‘Strawberry Eraser’ by Beau Hayhoe
Columns, Music, Today's SongMarch 30, 2024<March 30, 2024 Today’s Song: Atlanta’s Microwave Find Serenity With “Huperzine Dreams” by James Crowley
Columns, Features, Music, Weekly RoundupMarch 29, 2024<April 4, 2024 Atwood Magazine’s Weekly Roundup: March 29, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024 “I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love by Mitch Mosk
Features, Interviews, MusicMarch 29, 2024<March 29, 2024 Interview: The Lumineers’ Jeremiah Fraites on the Intimacy of Piano Music by Brianna Corrine
Features, Interviews, MusicMarch 29, 2024<March 29, 2024 Track-by-Track: Close Talker’s Achingly Intimate, Self-Reflective ‘The Sprawl’ Dwells in Vulnerability & Soul-Stirring Sound by Mitch Mosk
8.7 Music, ReviewsMarch 29, 2024<March 29, 2024 Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’ by Christine Buckley
Editorials, Music, Women's History MonthMarch 29, 2024<April 1, 2024 “Finding Harmony: My Journey as a New Mother in the Music Industry”: An Essay by Taylor Sanders for Women’s History Month by Guest Writer
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024 Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC by Hannah Burns
Debut, Features, Interviews, MusicMarch 28, 2024<March 28, 2024 Stripping Songs Down to Their Simplest Parts: A Conversation with Royel Otis by Claire Meyer
Interviews, Music, Music Videos, PremieresMarch 28, 2024<March 28, 2024 “What if I don’t love you in the morning?”: Temme Scott Premieres Her Beautifully Aching Anti-Love Song, “Softly” by Mitch Mosk
Music, PremieresMarch 28, 2024<March 28, 2024 “I want you to see me as I am”: The Heat, Heartache, & Dark Pop Passion of Brett Altman’s “Eye Masking” by Mitch Mosk
Music, PremieresMarch 28, 2024<March 28, 2024 “I feel it in my blood”: Salt Lake City’s Cinders Fuel the Fire Within on “Don’t Wait Up” by Mitch Mosk
Features, Interviews, MusicMarch 28, 2024<April 11, 2024 Shedding Old Skin: King Isis Talks Grunge, Shadow Work, and Breakthroughs on New EP ‘shed’ by Emma Rayder
Columns, Music, Today's SongMarch 27, 2024<March 27, 2024 “When I see you, I’m all blue”: Edinburgh’s Fright Years Embrace the End in “Blue,” a Messy, Sweaty Breakup Anthem by Mitch Mosk
For the Love of Music
For the Love of Music
