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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Kaleo
Columns, Music, Today's SongJanuary 27, 2016<January 27, 2016

Today’s Song: The Tender Tranquility of Kaleo’s “All the Pretty Girls”

Pusha T 7.9
Music, Our Take, ReviewsJanuary 13, 2016<September 5, 2023

Our Take: Pusha T Provides a Promising Taste of What’s to Come on “Darkest Before Dawn”

IYES
Columns, Music, Reviews, Today's SongNovember 20, 2015<November 20, 2015

“Can’t Feel My Face”: Even Better as a Duet?

What's Inside: Songs from Waitress - Sara Bareilles 8.7
Music, Our Take, ReviewsNovember 13, 2015<September 5, 2023

What’s Inside? Another Round of Great Fun from Sara Bareilles

Big Grams 7.3
Debut, Music, Our Take, ReviewsOctober 28, 2015<September 5, 2023

Hip-Hop, Electronica Collide in Cool Style on “Big Grams”

Dr. Dre © Scott Council 8.1
Features, Music, ReviewsAugust 26, 2015<September 5, 2023

Return of the King: Dr. Dre’s “Compton: A Soundtrack”

Features, Music, ReviewsJune 22, 2015<June 22, 2015

Music Styles Clash Aloud In Yelawolf’s “Love Story”

Southpaw (Music from and Inspired by the Motion Picture)
Columns, Music, Today's SongJune 15, 2015<June 15, 2015

Today’s Song: “Phenomenal” by Eminem

Posts pagination
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Recent Posts

  • Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories February 1, 2026
  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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