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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Andre 3000 'New Blue Sun' © Kai Regan 8.2
Music, Our Take, ReviewsNovember 27, 2023<November 27, 2023

Our Take: A New André 3000 Era Dawns Splendidly on ‘New Blue Sun’

LØLØ © Walker Hutchinson
Columns, Interviews, Music, Today's SongNovember 23, 2023<November 23, 2023

Interview: LØLØ Plots Diabolical Revenge on “hot girls in hell”

DREZO & BIJOU © Alex Varsa
Columns, Interviews, Music, Today's SongNovember 19, 2023<November 19, 2023

Today’s Song: Longtime Friends BIJOU & Drezo Launch Debut Collaboration “Goons”

Blink-182's ninth studio album, 'One More Time...' released on October 20, 2023 8.3
Music, Our Take, ReviewsNovember 16, 2023<November 16, 2023

Our Take: Blink-182 Return ‘One More Time…’ and Are Still As Welcome As Ever

Pierre Kwenders © Kim Yang
Interviews, MusicOctober 11, 2023<October 11, 2023

Interview: Pierre Kwenders Is a Congolese-Canadian Artist Shining as Brightly as the Full Moon

Doja Cat © Jacob Webster 7.7
Music, Our Take, ReviewsOctober 4, 2023<October 3, 2023

Our Take: A New-Look Doja Cat Smothers All Her Demons on ‘Scarlet’

Josh Weiner
Columns, Meet Our WritersSeptember 23, 2023<September 23, 2023

Meet Our Writers: Boston’s Josh Weiner!

ZZ © 2023
Interviews, MusicAugust 9, 2023<August 9, 2023

Interview: Meet ZZ, A New Delhi Native Now Rockin’ the Mics in the States

By Now - Jessica Woodlee
Columns, Music, Today's SongAugust 2, 2023<August 2, 2023

Today’s Song: Jessica Woodlee Explores How to React When Things Don’t Go As Planned on “By Now”

Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

Curtis Waters © Callum Walker Hutchinson
Features, Interviews, MusicMay 23, 2023<May 24, 2023

Interview: Curtis Waters, a Nepali Native Escalating the American Alternative Scene

Metallica © Tim Saccenti 8.5
Music, Our Take, ReviewsMay 15, 2023<May 15, 2023

Our Take: Metallica Return From Hiatus in Dark & Energetic Fashion on ’72 Seasons’

Morat © Amanda Imm
Features, Music, ReviewsApril 24, 2023<April 30, 2023

Meet Morat, a Colombian Band Looking to “Salir Con Vida” into the Spotlight

Ayleen Valentine © Caity Krone
Columns, Interviews, Music, Today's SongApril 12, 2023<April 30, 2023

Ayleen Valentine Scores a Double Victory with “epitaph” & “i can’t stop dreaming of you”

Cracker Island - Gorillaz 8.6
Music, Our Take, ReviewsMarch 17, 2023<April 30, 2023

Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves 

Posts pagination
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Recent Posts

  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
  • Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ July 15, 2026
  • “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs July 15, 2026
  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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