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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Vinyl Days - Logic 8
Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022

Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’

Superpoze © François Quillacq
Interviews, MusicJuly 4, 2022<July 2, 2022

Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze

Peach Tree Rascals © 2022
Columns, Music, Today's SongJune 15, 2022<June 15, 2022

Today’s Song: Peach Tree Rascals Offer Lots of “Good Advice” and Warmth on Latest Single

Mr. Morale & the Big Steppers - Kendrick Lamar © Renell Medrano 8.7
Music, Our Take, ReviewsMay 26, 2022<May 26, 2022

Our Take: Kendrick Lamar Emerges Gloriously from Hiatus on ‘Mr. Morale & the Big Steppers’

Pusha T © Def Jam Recordings 7.6
Music, Our Take, ReviewsMay 12, 2022<May 11, 2022

Our Take: Rapper Pusha T Scores Another Success with 4th LP ‘It’s Almost Dry’

Jon Waltz © Marcus Menefee
Music, ReviewsApril 21, 2022<April 21, 2022

EP Review: On ‘My Golden Horse,’ Jon Waltz Represents the Memphis R&B and Hip-Hop Scene with Equal Finesse

Hayden James © 2022
Interviews, MusicApril 14, 2022<April 13, 2022

Interview: A Conversation with Hayden James, an EDM Star Ready to Be ‘LIFTED’ to New Heights

Red Hot Chili Peppers © Clara Balzary 8.4
Music, Our Take, ReviewsApril 13, 2022<April 13, 2022

Our Take: ‘Unlimited Love’ Is a Funky and Upbeat Delight for the Retooled Red Hot Chili Peppers

Kinrose © Maliyah Grant
Debut, Music, ReviewsApril 1, 2022<April 1, 2022

Review: DC’s Kinrose Slides into Spring and Lets Hip-Hop Career Bloom with ‘Easygrowing’ EP

Love Sux - Avril Lavigne 7.7
Music, Our Take, ReviewsMarch 3, 2022<March 3, 2022

Album Review: ‘Love Sux,’ But Avril Lavigne Still Rox

Moonlight Shadow - W&W
Columns, Music, Today's SongMarch 2, 2022<March 31, 2023

Today’s Song: W&W Get Their ’80s Groove on with Futuristic Remix of “Moonlight Shadow”

riela © Daniel Sanjur
Interviews, MusicFebruary 24, 2022<February 23, 2022

From Rags to Riches to Wand Swishes: Riela Channels Tarot Magic Themes In New Trilogy of EPs

Blonde Maze © 2022
Interviews, MusicFebruary 7, 2022<February 7, 2022

Interview with Blonde Maze: ‘Something Familiar,’ Yet Also Wildly Innovative, Out From EDM Auteure

Christina Aguilera © Zoe Rain 8.5
Music, Our Take, ReviewsJanuary 28, 2022<January 28, 2022

Our Take: Christina Aguilera Makes a Triumphant Return to Latin Music with ‘La Fuerza’

Jimkata © 2021
Features, Interviews, MusicJanuary 26, 2022<January 26, 2022

Interview: 1 Track Per Month x 10 Months = A ‘Bonfires’ LP for Indie Rockers Jimkata

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Recent Posts

  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
  • Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ July 15, 2026
  • “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs July 15, 2026
  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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