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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Molly Burman © Sarah Beshiri
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Molly Burman Confronts Perfection on Beautiful, Empowered & Liberating “Pretty Girl”

Andy Zipf © Shervin Lainez
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Inside Andy Zipf’s Tranquil & Stirring New Single, “Did You Know I Was A Ghost?”

Grow This Garden - For Tuesday, Emorie
Columns, Music, Today's SongFebruary 23, 2022<February 23, 2022

Today’s Song: For Tuesday & Emorie Evoke Quiet Indie Folk Wonder in “Grow This Garden”

Lawrence live in NYC © Deanie Chen
Features, Music, Reviews, Track-by-TrackFebruary 23, 2022<February 23, 2022

Track-by-Track: Lawrence’s ‘Hotel TV’ Is an Epic, Quirky & Soulful Soundtrack to Everyday Living

Melody Federer © 2022
Music, PremieresFebruary 23, 2022<February 23, 2022

Premiere: The Tender, Heartwrenching Ache of Melody Federer’s “Sometimes I Cry”

Erisy Watt © Hannah Garrett
Music, PremieresFebruary 22, 2022<February 22, 2022

Premiere: Singer/Songwriter Erisy Watt’s “Big Sky” Relishes the Warm Bliss of Freedom

Jared Lindbloom © Marcus Middleton
Music, PremieresFebruary 22, 2022<April 13, 2022

Premiere: Pink Honey Moan’s Dynamic “Make Believe” Is a Song of Truth, Layers, & Understanding

Weatherstate © 2022
Features, Music, Reviews, Track-by-TrackFebruary 18, 2022<February 18, 2022

“Chaotic, Apathetic, & Melodic”: Weatherstate Take Us Through the Fervor of New Album ‘Never Better’

B-Drop
Music, PremieresFebruary 18, 2022<February 18, 2022

Premiere: B-Drop Worldwide Showcases LA’s Not From England

Samm Henshaw © Chad McLean
Debut, Features, Interviews, MusicFebruary 18, 2022<February 17, 2022

Interview: Samm Henshaw’s ‘Untidy Soul’ Is a Timeless Classic with a Modern Touch

JEVERSON © KT Wolf
Columns, Music, Today's SongFebruary 18, 2022<February 18, 2022

Today’s Song: JEVERSON Embraces Life’s Good Times on Beachy, Sun-Soaked “Somethin’ in the Water”

Abantu / Before Humans - BLK JKS
Interviews, Music, ReviewsFebruary 17, 2022<February 21, 2022

“Raw, Otherworldly, & Surprising”: South Africa’s BLK JKS Roar on ‘Abantu / Before Humans’, a Singular Second Album

Plàsi 'Foreign Sea' © Amanda Gylling
Features, Music, Reviews, Track-by-TrackFebruary 17, 2022<February 17, 2022

“Dream Away from Daily Life”: Inside Plàsi’s Sweetly Stirring Sophomore Album ‘Foreign Sea’

Manuel the Band © Cesar Sanchez
Features, Music, Reviews, Track-by-TrackFebruary 16, 2022<February 16, 2022

“Eclectic, but Relatable”: Inside Manuel the Band’s Sun-Kissed Sophomore LP ‘Things That Can’t Be Seen’

The Last Broadcast © Victoria Dalston
Columns, Debut, Music, Today's SongFebruary 16, 2022<February 16, 2022

Coventry’s The Last Broadcast Debut with Stirring “Daisy,” a Beautifully Vulnerable Song of Trauma, Forgiveness, & Hope

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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