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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Katie Tupper © Julian Lomaga
Columns, Music, Today's SongJanuary 19, 2022<January 19, 2022

Today’s Song: Seeking Closure on Katie Tupper’s Graceful & Gutting New Single “Danny”

Evelyn Frances © 2022
Music, PremieresJanuary 18, 2022<January 18, 2022

Premiere: Evelyn Frances Awakens in Hushed & Raw New Single “Tired”

The Flops © Hannah Dekle
Music, PremieresJanuary 18, 2022<January 18, 2022

Premiere: The Flops Channel ’90s Grunge & Alternative in Smoldering “Girl I Need to Know”

Daisy the Great © Shervin Lainez
Columns, Music, Today's SongJanuary 15, 2022<January 14, 2022

Today’s Song: Daisy the Great’s Dreamy “Glitter” Sees the Beauty in Our Mess

Linying © Ronan Park
Debut, Features, Music, Reviews, Track-by-TrackJanuary 14, 2022<January 14, 2022

“Scared of Love”: Inside Linying’s Beautifully Intimate & Therapeutic Debut ‘There Could Be Wreckage Here’

Emily Blue © Kirsten Barnett
Features, Interviews, Music, Track-by-TrackJanuary 14, 2022<January 18, 2022

“Love, Loss, & Rebirth”: Inside Emily Blue’s Enchanting ‘The Afterlove,’ an Album of Self-Love, Dance, and Reckoning

Erika Tham "Shhh" © Yoshi Uemura
Columns, Music, Today's SongJanuary 14, 2022<January 14, 2022

Today’s Song: Erika Tham Ignites on Empowering & Seductive Second Single, “Shhh”

morgxn © Nolan Knight
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 14, 2022

“Change, Pressure, & Release”: The Achingly Intimate Depths of morgxn’s ‘MERIDIAN: vol 2’

Sammy Rae © 2021
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022

“Chaotic, Hopeful, & Defiant”: Inside Sammy Rae & The Friends’ Smile-Inducing ‘Let’s Throw a Party’ EP

Joshy Soul © Danni Ordoñez
Columns, Music, Today's SongJanuary 12, 2022<January 12, 2022

Today’s Song: Long Beach’s Joshy Soul Gets His Funk On in Fresh Single “New Lover”

Atwood Magazine Editor's Picks 52
Columns, Editor's Picks, Features, MusicJanuary 12, 2022<February 7, 2022

Editor’s Picks 52: The Killers, Keir, Indoor Fins, FACESOUL, Oh Wonder, & fanclubwallet

In The Aftermath - Hollis Brown
Music, PremieresJanuary 12, 2022<January 12, 2022

Premiere: Hollis Brown Honor The Rolling Stones’ Raw, Bluesy Jam “Don’tcha Bother Me” Ahead of ‘In the Aftermath’ Covers Album

Cy Dune © 2022
Music, ReviewsJanuary 11, 2022<January 11, 2022

Review: Cy Dune Kicks 2022 Off Right with Raucous, Explosive Release “Against Face”

Pegasus Warning © Mary Rozzi
Music, PremieresJanuary 11, 2022<January 11, 2022

Video Premiere: Wrestling Reality with Pegasus Warning’s Glitchy, Groovy “Alllove”

Victoria Dodson © 2022
Columns, Music, Today's SongJanuary 11, 2022<January 11, 2022

Today’s Song: Victoria Dodson’s “Goodnight” Is Buoyant, Bittersweet Bliss

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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