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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

For You - RVHEEM
Music, PremieresMarch 8, 2022<March 8, 2022

Premiere: Liverpool’s RVHEEM Embraces Vulnerability in Achingly Intimate “For You”

Clea Anais © Heather Saitz
Columns, Music, Today's SongMarch 7, 2022<March 7, 2022

Today’s Song: Clea Anaïs Explores Grief & Love in Beautifully Bittersweet “Stars Still Dying”

Rona Mac © 2022
Features, Music, Reviews, Track-by-TrackMarch 4, 2022<March 9, 2022

“Deep, Raw, & Rural”: Inside Rona Mac’s Intimately Enchanting ‘Shades of Ham’ EP

Noah Reid © Dane Clark
Columns, Music, Today's SongMarch 4, 2022<March 4, 2022

Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance

Peach Luffe Beyond
Features, Music, Reviews, Track-by-TrackMarch 3, 2022<March 3, 2022

Track-by-Track: Peach Luffe Breaks Down His Intimately Sun-Soaked ‘Beyond’ EP

Thehiz © 2022
Columns, Debut, Music, Today's SongMarch 3, 2022<March 3, 2022

Today’s Song: Thehiz Debuts with Epic Underdog Anthem “SUBMARINE”

Atwood Magazine's Editor's Picks 56
Columns, Editor's Picks, Features, MusicMarch 3, 2022<September 29, 2022

Editor’s Picks 56: Primer, Monica Martin, Dehd, Riley Pearce, Blossoms, & GOON

BAYEM © Lissyelle
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<March 2, 2022

“Post-Heartbreak Music”: BAYEM Basks in a Bold & Buoyant ‘AFTERGLOW’ on Debut EP

Wild Rivers © Samuel Kojo
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<May 28, 2022

“Everything in Between”: Inside Wild Rivers’ Radiant & Stunning Sophomore LP ‘Sidelines’

Shovels & Rope © Leslie Ryan McKellar
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: Shovels & Rope Dive into the Raw Reeling of ‘Manticore’

The Sherlocks © 2022
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: The Sherlocks Stun & Soar on Anthemic, Spirited LP ‘World I Understand’

Asha Maclean © Amadeus Purcell
Music, Music Videos, PremieresMarch 1, 2022<March 1, 2022

Video Premiere: NYC’s Asha Maclean Pours Her Heart Out in Empowering “Serial F Boy” (Acoustic Version)

Similar Kind © Tom Stewart
Music, PremieresFebruary 28, 2022<February 28, 2022

Premiere: Dancing in the Beautiful Depths of Similar Kind’s Buoyant & Bold “I Don’t Wanna Fight Anymore”

Dust In The Sunlight © Rob Humm
Columns, Music, Today's SongFebruary 28, 2022<February 28, 2022

Today’s Song: Dust in the Sunlight Shine with “Former Lives,” an Anchor of Escape & Rediscovery

Under the Rug © 2022
Features, Music, Reviews, Track-by-TrackFebruary 25, 2022<February 25, 2022

“Salty, Colorful, & Intricate”: Under the Rug’s Aching ‘Dear Adeline’ Is a Record of Reckoning & Perseverance

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