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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lennie Rayen © cleoemo
Debut, Interviews, Music, Music Videos, PremieresMarch 25, 2026<March 25, 2026

“I’m a Mess and You Like It”: Lennie Rayen Channels the Ache of Wanting More into a Smoldering Indie Pop Confession

Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal” © Brooklyn Zeh
Music, Music Videos, PremieresMarch 25, 2026<March 31, 2026

“The Song That Made All the Wise Guys Cry”: Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal”

Joshua Burnside © Tom Johnson
Features, Interviews, Music, Track-by-TrackMarch 24, 2026<March 24, 2026

“It’s Not Going to Be Okay”: Joshua Burnside Faces Grief Head-On in His Raw, Unflinching, and Life-Affirming Sixth Album

Brown Horse © Deva O'Neill
Interviews, Music, Today's SongMarch 24, 2026<March 24, 2026

“I Like the Voices on the Radio”: Brown Horse Capture Isolation, Motion, & the Slow Burn of Reflection on “Twisters”

Ray Bull "All That You Are" © Kyle Berger
Interviews, Music, Today's SongMarch 23, 2026<March 23, 2026

“All That You Are Is a Lot”: Ray Bull Find Sweetness in the Spiral on a Catchy, Cathartic Anthem of Indecision

Coyote Theory © Sara Cross
Features, Interviews, Music, Track-by-TrackMarch 20, 2026<March 20, 2026

‘Talking 2 Strangers’: Coyote Theory Capture the Moment on a Bold EP Fueled by Instinct, Energy, & Raw Emotional Urgency

midori jaeger © Inigo Blake
Interviews, Music, Today's SongMarch 20, 2026<March 20, 2026

“I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’

Chet Faker © Sarah Eiseman
Features, Interviews, MusicMarch 20, 2026<March 26, 2026

“I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All

The Maine "Die to Fall" © Lupe Bustos
Interviews, Music, Today's SongMarch 19, 2026<March 23, 2026

“Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream

Atwood Magazine's 150th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 18, 2026<March 18, 2026

Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers!

“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”
Music, Music Videos, PremieresMarch 18, 2026<March 18, 2026

“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”

Silverdeer "Open Mouth" © Emma Holabird
Debut, Interviews, Music, Today's SongMarch 18, 2026<March 18, 2026

“We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality

Soda Blonde © Adam O'Regan
Interviews, Music, Today's SongMarch 17, 2026<March 17, 2026

“Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth

Maris "Body Is on Fire" © 2026
Interviews, Music, Today's SongMarch 15, 2026<March 15, 2026

“Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire”

The Format © Carlo Cavaluzzi
Features, Interviews, MusicMarch 13, 2026<March 14, 2026

“There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World

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Recent Posts

  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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