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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Chelsea Jordan © Hunter Lyon
Columns, Music, Today's SongMay 18, 2026<May 18, 2026

“I Gotta Lotta Love to Give”: Chelsea Jordan Makes Her Love Count on “picky choosy,” a Soulful Self-Worth Anthem Full of Fire & Freedom

Lola Blue "Heartbeat" © Tanner Deutsch
Debut, Interviews, Music, Today's SongMay 15, 2026<June 16, 2026

“I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction

Ray Bull © Kyle Berger
Music, ReviewsMay 15, 2026<May 14, 2026

‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling

Jonathon Penn © Robbie Bruzus
Music, PremieresMay 14, 2026<May 14, 2026

“Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song

Ed Prosek "Tall Pines" © Charlotte de Bruyn
Debut, Interviews, Music, PremieresMay 14, 2026<May 16, 2026

“Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light

Bella Cloud "Spin" © Dean Kalaitzidis
Music, PremieresMay 13, 2026<May 13, 2026

“A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie

Debbii Dawson "Where Have All the Good Men Gone?" © Aaron Sinclair
Columns, Music, Today's SongMay 13, 2026<May 13, 2026

“Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All

Brother Bird "Chameleon" © Chris Bauer
Features, Interviews, Music, PremieresMay 13, 2026<May 13, 2026

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie

MUNA "Dancing on the Wall" © Dean Bradshaw
Features, Music, ReviewsMay 12, 2026<May 12, 2026

“I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet

Jacob Ungerleider © Francesca Blanchard
Interviews, Music, Music Videos, PremieresMay 12, 2026<May 12, 2026

“Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name”

Whitney Whitney © Paige Strabala
Debut, Interviews, Music, Today's SongMay 12, 2026<May 12, 2026

“Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance

Julez and the Rollerz © Zach Adams
Interviews, Music, PremieresMay 11, 2026<May 11, 2026

“I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love”

Tiffany Stringer is The Lone Starlet © Ragan Henderson
Interviews, Music, Today's SongMay 11, 2026<May 11, 2026

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’

Atwood Magazine's 154th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 8, 2026<May 8, 2026

Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning!

The Head and the Heart
Debut, Features, Interviews, MusicMay 7, 2026<May 7, 2026

“It’s Like I Went from Black and White to Color”: The Head and The Heart on 15 Years of Harmony, Friendship, & Open Roads

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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