• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

De Joie © 2020
Music, PremieresDecember 17, 2020<September 20, 2021

Premiere: The Ethereal Ebb & Flow of De Joie’s Poignant “Oslo (Holly’s Song)”

Orlando - Seafarers 9.4
Features, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 16, 2020

“Hopeful, Liberated, & Futile”: London’s Seafarers on Their Stirring, Standout Debut ‘Orlando’

Smallpools © Brandon Keith
Music, Reviews, This Just InDecember 16, 2020<December 16, 2020

This Just In: Smallpools’ “simulation” Is a Song of Sci-Fi Sanctuary, Empathy, & Depth

Goo Goo Dolls "Miracle Pill" promo shot © Ed Gregory
Features, Interviews, MusicDecember 16, 2020<March 2, 2025

Interview: Goo Goo Dolls Look Back on 35 Years of Rock & 25 Years of “Name”

Ane Brun © Stian Andersen
Features, Interviews, Music, Track-by-TrackDecember 15, 2020<December 22, 2020

“Presence, Passion, & Comfort”: Ane Brun on Her Two Stunning & Stirring Albums of 2020

Noah Kahan & mxmtoon collaborate on "Pride" © Jenny Alice Watts
Music, ReviewsDecember 15, 2020<December 15, 2020

Isolation & Rejection: Noah Kahan’s “Pride” (ft. mxmtoon) Is the FOMO Song of the Year

French for Rabbits © Lily Paris West
Music, Reviews, This Just InDecember 14, 2020<December 14, 2020

This Just In: French for Rabbits’ “The Dark Arts” Offers Stirring Reflections on Memory & Meaning

Quiet Lives - Garrett Owen
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

Track-by-Track: Singer/Songwriter Garrett Owen on His Stirring Sophomore Album ‘Quiet Lives’

Sunset Rollercoaster © Sofia Lee 9.1
Features, Music, Our Take, Reviews, Track-by-TrackDecember 14, 2020<December 15, 2020

Tenderness in Chaotic Times: Taiwan’s Sunset Rollercoaster on Buoyant 3rd Album ‘SOFT STORM’

Machinery - Twist Helix
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

“Mature, Honest, & Self-Reflexive”: Twist Helix’s ‘Machinery’ Is a Bold, Sweeping Alt-Pop Culture Critique

Faith - Falcon Jane
Interviews, Music, Reviews, Track-by-TrackDecember 11, 2020<December 11, 2020

“Darkness, Power, Light”: Ontario’s Falcon Jane Goes Track-by-Track Through Her ‘Faith’

Angelo De Augustine © Jess Collins
Columns, Music, Today's SongDecember 11, 2020<December 11, 2020

Today’s Song: The Beauty & Devastation of Angelo De Augustine’s “Blue” ft. Sufjan Stevens

The Bends - Radiohead x Rosie Carney
Features, Interviews, MusicDecember 10, 2020<February 5, 2021

Interview: Rosie Carney Covers Radiohead’s ‘The Bends’ Album from End to Hauntingly Raw End

Haywire - Duff Thompson
Debut, Music, Premieres, Reviews, Track-by-TrackDecember 10, 2020<December 10, 2020

Album Premiere: Duff Thompson’s ‘Haywire’ Is an Enchanting American Folk Debut

The Rayes © 2020
Music, Premieres, Track-by-TrackDecember 10, 2020<December 10, 2020

EP Premiere: The Rayes’ ‘Two Legs’ Is a Kiss of Sonic Sunshine

Posts pagination
1 … 151 152 153 154 155 … 299

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services