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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sy Ari da Kid 'The Last Shadow in the Shade' © Chase Gozy
Features, Interviews, Music, Track-by-TrackJune 4, 2025<June 5, 2025

“I’m Going to Be the Last One Standing”: Sy Ari Da Kid on Storytelling, Truth, Independence, & the Legacy of ‘The Last Shadow in the Shade’

Adam Melchor 'The Diary of Living' © Caro Knapp
Features, Interviews, MusicJune 2, 2025<June 2, 2025

“This Is Where I Belong”: Adam Melchor on Finding His Voice, His Truth, & His Heart with ‘The Diary of Living’

The Bones of J.R. Jones © Christian Harder
Music, Music Videos, PremieresJune 2, 2025<June 2, 2025

“Fold us down into this land”: The Bones of J.R. Jones Embraces Renewal, Regret, & Quiet Strength in Soul-Stirring “Start Again”

Tennis "12 Blown Tires" © Darren Vargas
Columns, Music, Today's SongMay 30, 2025<May 30, 2025

Today’s Song: Tennis Say Goodbye in the Devastatingly Beautiful “12 Blown Tires”

Spring Term © Claire Hensley
Features, Interviews, Music, Track-by-TrackMay 29, 2025<May 29, 2025

EP Premiere: Spring Term Shines Bright on ‘Kiddo, Vol. 2,’ a Playful & Profound Coming-of-Age Dreamscape

Atwood Magazine's 122nd Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 23, 2025<May 23, 2025

Editor’s Picks 122: Medium Build, The Head and the Heart, Hudson Thames, Lola Young, DE’WAYNE, & Jack Garratt!

Lucie Glang © Eike Higgen
Music, Music Videos, PremieresMay 22, 2025<May 22, 2025

Premiere: Lucie Glang Finds Peace Beneath the Surface in Her Intimate & Enchanting “Underwater Skies”

Volena © Julia Durr
Debut, Features, Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

“This Became a Lifeline”: Volena’s Witchy, Yearning, & Expansive Debut EP Is a Raw Coming-of-Age Reckoning

Emily Elbert © Shervin Lainez
Music, Music Videos, PremieresMay 21, 2025<May 21, 2025

“Love sing through me”: The Spiritual, Soul-Stirring Surrender of Emily Elbert’s Smoldering “God Is Change”

Atwood Magazine's 121st Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 16, 2025<May 16, 2025

Editor’s Picks 121: Vienna Vienna, Petey USA, Tennis, Felly, Self Esteem, & JERUB!

hard life's Murray Matravers
Columns, Features, Interviews, Music, Today's SongMay 16, 2025<July 25, 2025

Interview: hard life (FKA easy life) Discuss Their Unapologetic New Era & the Many Layers of Upcoming Third Album, ‘onion’

Little Falls Trophy © Drew Reynolds
Music, PremieresMay 15, 2025<May 15, 2025

Premiere: Little Falls Trophy Lights a Love-Soaked Heatwave on Smoldering “My Little Sunshine” ft. Christy Lynn

Mountain Jam returns June 20–22, 2025, at Belleayre Mountain in the heart of the Catskills
Features, Festival, Interviews, MusicMay 15, 2025<May 15, 2025

“Woodstock Is a State of Mind”: Mountain Jam’s Founder on the Festival’s 2025 Return, the Power of Live Music, & Building Community in the Hudson Valley

Tough Cookie © Sully
Columns, Music, Today's SongMay 15, 2025<May 15, 2025

London’s Tough Cookie Reckon with the Pursuit of “Happiness” in Their Explosive & Existential Second Single

Atwood Magazine's 120th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 9, 2025<May 12, 2025

Editor’s Picks 120: Reem Mitten, hard life, BEL, Lord Huron, girlpuppy, & Young Gun Silver Fox!

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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