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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Tia Gostelow © Jeff Andersen Jr
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Queensland’s Tia Gostelow Returns with a “RUSH” of Fun & Frisky Indie Pop

Miro Shot "Half of Us" music video screenshot
Music, Music Videos, PremieresMarch 4, 2020<March 4, 2020

Premiere: Miro Shot’s Critical “Half of Us” Is a Dark Immersion of Technology

Music, Reviews, This Just InMarch 3, 2020<April 1, 2020

This Just In: The Airborne Toxic Event “Come on Out” with a Visceral Energy on First Song in 5 Years

KOYO
Music, PremieresMarch 3, 2020<March 3, 2020

Premiere: Leeds’ KOYO Inject Tension & Turbulence into Feverish Title Track “You Said It”

Love Thy Neighbour - Approachable Members Of Your Local Community
Music, ReviewsMarch 2, 2020<March 2, 2020

Approachable Members of Your Local Community Celebrate, Connect, & Grow with ‘Love Thy Neighbor’ EP

Overcoats © Shervin Lainez
Features, Interviews, MusicFebruary 28, 2020<March 6, 2020

Interview: Brooklyn Duo Overcoats Ignite with an Urgent and Irresistible “Fire & Fury”

Cameo - Swan Levitt
Music, Reviews, This Just InFebruary 28, 2020<February 28, 2020

Singer/Songwriter Swan Levitt Returns with Stunningly Visceral Song “Cameo”

Heartracer - Main Press shot (credit Chapin Mathews) - hi res
Music, Music Videos, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Heartracer’s Pulsing Power-Ballad “Darling” Conveys a Universal Truth

Color Theory © Kremer Johnson
Music, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Color Theory’s “This Whole Nothing” Dwells in Radiant Synthwave Dreams

Atwood Magazine Editor's Picks 29
Columns, Editor's Picks, Features, MusicFebruary 26, 2020<March 6, 2020

Editor’s Picks: February 26, 2020

Little Hurt © Deanie Chen
Columns, Music, Today's SongFebruary 26, 2020<March 27, 2020

Colin Dieden’s Little Hurt Turns Pain into Beauty with “Better Drugs”

Heaven - Fretland
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: Washington’s Fretland Emerge with Empathy, Passion, & Americana Warmth in “Heaven”

Gordi © Jess Gleeson
Music, Reviews, This Just InFebruary 25, 2020<March 6, 2020

Gordi’s Beautiful Song “Sandwiches” Captures the Powerful Weight of a Loved One’s Absence

Mannequin Online © Meghan Cummings
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Say “I Do” with Mannequin Online’s Sultry New Late-Night Song

Mielo
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Through Somber Introspection, Mielo & Mariya Stoeva Learn “A Lesson in Waking Up”

Posts pagination
1 … 178 179 180 181 182 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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