• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ley Line © 2020
Interviews, Music, ReviewsApril 30, 2020<April 30, 2020

Interview: Austin’s Ley Line Remind Us to “Slow Down” with a Dreamy, Uplifting Folk Song

Colin Caulfield © Nina Ljeti
Music, Music Videos, PremieresApril 30, 2020<April 29, 2020

Premiere: DIIV’s Colin Caulfield Releases His Ethereal, Heartfelt Song “Second to None”

Orpine
Music, Music Videos, PremieresApril 30, 2020<April 30, 2020

Premiere: UK Duo Orpine’s “Two Rivers” Is a Tender Indie Folk Enchantment

Atwood Magazine's Editor's Picks 34
Columns, Editor's Picks, Features, MusicApril 29, 2020<May 15, 2020

Editor’s Picks: April 29, 2020

Showing Up - City Dress
Debut, Music, Music Videos, PremieresApril 29, 2020<April 29, 2020

Premiere: Brooklyn’s City Dress Debuts with a Hug in Heartfelt & Dazzling Song “Showing Up”

someone anyone
Music, PremieresApril 29, 2020<April 29, 2020

Premiere: Someone Anyone’s New Song “Vices” Aches with Raw Grief, Tenderness, Feverish Fury

The Bergamot © 2020
Features, Music, Reviews, Track-by-TrackApril 28, 2020<April 28, 2020

Track-by-Track: The Bergamot Dive into the Depths of ‘Mayflies’, an Album Full of Passion, Space, & Depth

teepee © David Broda
Music, Music Videos, PremieresApril 28, 2020<April 28, 2020

Premiere: teepee’s Breathtaking “hazel trees” Video Is a Cinematic, Hopeful, & Awe-Inspiring Spectacle

Night Flight © 2020
Features, Music, Reviews, Track-by-TrackApril 27, 2020<April 28, 2020

Feature: London’s Night Flight Soar with Majestic Energy in ‘White Noise’ EP

Ok Moon
Debut, Features, Interviews, MusicApril 27, 2020<April 27, 2020

Musical Chairs & Organic Indie Folk Magic: An Interview with Australian Supergroup Ok Moon

Only Human Natural - Human Natural
Debut, Music, Reviews, Track-by-TrackApril 24, 2020<March 2, 2025

Feature: Human Natural Debut with Sweet Jamz & Groovy Vibes in ‘Only Human Natural’

still from The 1975's "If You're Too Shy (Let Me Know)" live video
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

Review: The 1975’s “If You’re Too Shy (Let Me Know)” Is the Energy Shot We Need Right Now

Stables © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Stables’ Buoyant Return “Marathon” Is a Sweet Breath of Fresh Air

Caroline Lazar © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Singer/Songwriter Caroline Lazar’s “Take It” Is a Gorgeous Surrender

Nathan Vincent
Music, PremieresApril 23, 2020<April 22, 2020

EP Premiere: Indie Folk Singer/Songwriter Nathan Vincent Captures the Journey Between ‘Cedar & Pine’

Posts pagination
1 … 180 181 182 183 184 … 303

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services