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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ellis © Ebru Yildiz
Debut, Features, Reviews, Track-by-TrackApril 16, 2020<May 15, 2020

Feature: Intimacy & Emotion Drive Ellis’ Visceral Debut Album ‘Born Again’

Victoria Reed © Andres Navarro
Music, PremieresApril 16, 2020<April 17, 2020

Premiere: Victoria Reed’s Empathic “Heal Your Pain” Inspires Inner Strength & Vulnerability

Soda Blonde
Features, Interviews, MusicApril 16, 2020<May 15, 2020

Interview: Artist-to-Watch Soda Blonde Soar in Stunning Debut EP ‘Terrible Hands’

Slow Down - GRAE
Music, Reviews, This Just InApril 15, 2020<April 15, 2020

Review: “Slow Down” with GRAE in the Heat of the Moment on Her Seductive, Sultry Song

Flora Cash © Daniel C. Shippey
Features, Interviews, MusicApril 15, 2020<April 14, 2020

Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash

Firewoodisland - Firewoodisland
Interviews, Music, Reviews, Track-by-TrackApril 15, 2020<May 3, 2023

Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album

Edward and Jane © Brooke Hamilton
Music, PremieresApril 15, 2020<May 29, 2020

Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty

JOY - Seazoo
Music, Reviews, Track-by-TrackApril 14, 2020<August 7, 2023

Track-by-Track: Seazoo’s Sophomore Album Is a Feverish, Uplifting Bundle of ‘JOY’

Sonia Stein "Passerby" still 5
Music, PremieresApril 14, 2020<April 13, 2020

Premiere: London’s Sonia Stein Blurs Intimate Lines with Majestic “Passerby”

Music, Music Videos, PremieresApril 10, 2020<April 10, 2020

Artist-to-Watch: Forever Honey’s Dreamy “Twenty-Five” Is a Dazzling Quarter-Life Crisis

In A Rocket with Lissie - Beoga
Music, Reviews, This Just InApril 9, 2020<April 9, 2020

Review: Beoga & Lissie Erupt “In a Rocket” with Catchy, Feel-Good Passion

Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

Atwood Magazine Editor's Picks 32
Columns, Editor's Picks, Features, MusicApril 8, 2020<September 23, 2021

Editor’s Picks: April 8, 2020

Johnny Stimson © Bani Amir
Music, PremieresApril 8, 2020<April 7, 2020

Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove

Posts pagination
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Recent Posts

  • Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’ May 15, 2026
  • ‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling May 15, 2026
  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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