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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Planes on Paper © Nirav Patel
Debut, Music, PremieresMarch 26, 2018<March 26, 2018

Premiere: The Poignant Beauty of Planes on Paper’s “Two Rivers”

Together - Millionyoung © Melanie Sarria
Music, Music Videos, PremieresMarch 23, 2018<March 23, 2018

Premiere: Relaxing in Millionyoung’s Dreamlike Euphoria “Together”

They Might've Even Loved Me - NoMBe 10
Debut, Features, Music, Our Take, ReviewsMarch 23, 2018<July 2, 2021

Our Take: The Euphoric Embrace of NoMBe’s Epic Debut ‘They Might’ve Even Loved Me’

Dan Bettridge © 2018
Debut, Music, PremieresMarch 22, 2018<March 22, 2018

Premiere: The Heavy Depths of Dan Bettridge’s Intimate ‘Asking for Trouble (Wave Two)’

Glass Animals © Neil Krug
Features, Interviews, MusicMarch 21, 2018<April 26, 2018

Strange Sounds & Stranger Stories: A Conversation with Glass Animals

Anna Altar © Sarah Thompson
Debut, Music, PremieresMarch 20, 2018<March 21, 2018

Premiere: The Intimate Hypnosis of Anna Altar’s Dance Anthem “Wild Card”

SPAER © Victoria Kanaris
Debut, Music, PremieresMarch 20, 2018<March 20, 2018

Premiere: The Seduction of SPAER’s Sonically Expansive “Critter” ft. Izzy Howard

Night Sky - Raine Hamilton
Features, Music, PremieresMarch 20, 2018<March 20, 2018

Album Premiere: Raine Hamilton Shines a Light in the ‘Night Sky’

Water - Hildur
Music, Music Videos, PremieresMarch 20, 2018<March 20, 2018

Premiere: Pain and Beauty in Hildur’s Breathtakingly Bittersweet “Water”

Jesse Macht © Gregory Beylerian
Music, PremieresMarch 19, 2018<March 19, 2018

Premiere: Take a Breath with Race the Tide’s Cathartic “Dayenu”

Pale Houses © 2018
Music, PremieresMarch 19, 2018<March 30, 2018

The Warm Weight of Pale Houses’ Intimate Confessional, “Who Will I Be for You?”

The 1 Class © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Deception and Denial in The 1 Class’ “If You Were Honest”

Hey Baby © Bin Blow
Columns, Debut, Music, Reviews, Today's SongMarch 16, 2018<March 16, 2018

Review: Hey Baby! Embrace the Buzz in Punk Anthem “Kids”

Catalina © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Lost in the Ethereal Waves of Catalina’s “Ceremony”

Everything You Need - The Yellow Traffic Light © Mario Toyoshima
Debut, Music, Music Videos, PremieresMarch 16, 2018<October 1, 2018

Premiere: The Yellow Traffic Light Challenge “Everything You’ll Need” with Dark Disillusion

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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