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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

FINLAY © 2018
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Bask in the Unapologetic Energy of FINLAY’s “TIDES”

BETS © Kanya Iwana
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Vulnerability Is Beautiful in BETS’ Intimate “Gold”

F&M © Francis A Willey
Music, Music Videos, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Poignant Beauty of F&M’s Enchanting “Lessons From Losers”

Dominique © Joshua Shultz
Debut, Interviews, Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Dominique Inspires with Refreshing, Raw Debut “Convince You”

Casey Dubie © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Casey Dubie’s Moving “Confetti” Cherishes Fleeting Love

Casey Lowry © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Revel in “Blank Face,” Casey Lowry’s Catchy Communication Breakdown

Jong SL © Cameron Rollins
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Bittersweet, Haunting Pull of Jong SL’s “Driving Away”

The Brevet © Pete Black
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Rock Out to the The Brevet’s Intoxicating “Gateway Drug”

Lindsay Kay © Anastasia Lebedeva
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: A Moving Ritual in Lindsay Kay’s “Sunday,” a Somber Search for Faith

Megan Bonnell © Jen Squires
Music, Music Videos, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Megan Bonnell Dazzles with Love & Grief in “Your Voice”

The Britanys © Sophia Ragomo
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: The Britanys’ Raw & Lonely Helpline, “I Don’t Know How to Be Alone”

Ain't My Scene - JD Eicher
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: You’ll Fit in at JD Eicher’s Pool Party, “Ain’t My Scene”

Jublio Drive © Rayana Chumthong
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: EXTRA! EXTRA! Stream Jubilo Drive’s “All U Can Eat” NOW!

Nobody's Home Art d'Ecco 2018
Music, Music Videos, PremieresSeptember 6, 2018<September 6, 2018

Premiere: See & Be Seen in Art D’Ecco’s Magically Indulgent “Nobody’s Home”

Trevor James Tillery © Cobey Arner
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: The Dark Allure of Trevor James Tillery’s “Resolve (In Cold Blood)”

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Recent Posts

  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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