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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Timber © Wes Frazier
Music, PremieresOctober 29, 2018<October 29, 2018

Premiere: The Reflective Allure of Timber’s “Shuttlecock”

Jake Fields © 2018
Music, PremieresOctober 25, 2018<October 25, 2018

Premiere: The Exciting Rush of Jake Fields’ “The Other Side of Waiting”

Birch © Vladka Malyuta
Music, Music Videos, PremieresOctober 24, 2018<October 24, 2018

Premiere: Step into the Future of Feminism with Birch’s “femme.two”

Henry Street - ALAE
Debut, Music, Premieres, ReviewsOctober 24, 2018<October 26, 2018

Album Premiere: Alae Emerge with Intimate & Effortless Debut ‘Henry Street’

Good Night Gold Dust © Dan Dinsmore
Music, PremieresOctober 24, 2018<October 24, 2018

A Rush of Feeling: Good Night Gold Dust Return with “Thieves”

GEMS - Do Ra cover
Debut, Music, PremieresOctober 23, 2018<October 23, 2018

EP Premiere: Symmetry, Elegance, and Intent in Do Ra’s Debut ‘GEMS’

InAbell © 2018
Music, Music Videos, PremieresOctober 23, 2018<October 23, 2018

Video Premiere: InAbell’s Bittersweet, Touching “Nightgown” and the Vibrance of Memory

Let's Go Out Tonight - The Active Set
Music, Music Videos, PremieresOctober 22, 2018<October 22, 2018

Video Premiere: Energy & Excitement Course Through The Active Set’s “Let’s Go Out Tonight”

Beach House - ASL Age.Sex.Location
Music, Music Videos, PremieresOctober 22, 2018<October 6, 2020

Premiere: Age.Sex.Location’s Intimate “Cinnamon Girl” Evokes the Sweet Taste of Connection

IMOGEN © Ruth Kilpatrick
Debut, Music, Premieres, ReviewsOctober 22, 2018<October 22, 2018

EP Premiere: The Poetic Vulnerability of IMOGEN’s Breathtaking Debut ‘Faze Green’

Equador © 2018
Music, Music Videos, PremieresOctober 19, 2018<October 19, 2018

Premiere: Urgency & Unrest in Equador’s Immersive “Treble Oh”

Kramies © Jérôme Sevrette
Interviews, Music, ReviewsOctober 19, 2018<October 19, 2018

Venture into Kramies’ Abstract Personal Diary, ‘Of All the Places Been & Everything the End’

Palmas © 2018
Music, PremieresOctober 18, 2018<October 18, 2018

Premiere: Palmas Dazzle with Warm Wonder in “Where Are You Going?”

Holy Golden © Dana Trippe
Music, PremieresOctober 18, 2018<October 18, 2018

Premiere: Higher Connection in Holy Golden’s Dreamy “Seven of Diamonds”

prinze george © Joilyn Jackson
Music, Premieres, ReviewsOctober 18, 2018<October 18, 2018

Premiere: Prinze George Take Flight with Bold, Bright ‘Airborne’ EP

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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