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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hey Baby © Bin Blow
Columns, Debut, Music, Reviews, Today's SongMarch 16, 2018<March 16, 2018

Review: Hey Baby! Embrace the Buzz in Punk Anthem “Kids”

Catalina © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Lost in the Ethereal Waves of Catalina’s “Ceremony”

Everything You Need - The Yellow Traffic Light © Mario Toyoshima
Debut, Music, Music Videos, PremieresMarch 16, 2018<October 1, 2018

Premiere: The Yellow Traffic Light Challenge “Everything You’ll Need” with Dark Disillusion

Riley Moore © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: “Wandering Man,” Riley Moore’s Americana Ode to the Nomad

Bright City Lights - Rebecca Haviland
Music, Music Videos, PremieresMarch 15, 2018<March 16, 2018

Video Premiere: Rebecca Haviland Finds Her Voice in “Bright City Lights”

LJ Gomez © Mari Hernandez
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: A Familiar Ache in LJ Gomez’s Poignant “Replay”

"Like a Drug" by Like Language © Aaron Green
Music, Music Videos, PremieresMarch 14, 2018<May 20, 2022

Video Premiere: The Anthemic Ache and Strain of Like Language’s “Like a Drug”

Tiger March © Dexy Valentine
Debut, Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: The Shimmering Glitz of Tiger March’s “Hold Something”

Schultz & Forever © Sebastian Zieler
Debut, Features, Music, PremieresMarch 13, 2018<March 14, 2018

Album Premiere: The Intimate Revolt of Schultz & Forever’s Debut ‘Grand Guignol’

Carmanah © Helene Cyr
Music, Music Videos, PremieresMarch 13, 2018<March 13, 2018

Video Premiere: The Gentle Flow of Carmanah’s Beautifully Critical “Water Falling”

Baba Sonya © James Kilker
Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: Baba Sonya’s Haunting “Jeremiah” Is a Mourner’s Tragic Lament

BoTalks © Lauren Allaina
Music, Reviews, This Just InMarch 9, 2018<March 9, 2018

Review: Embracing Exposed Emotions in BoTalks’ “Fuck It” ft. Caroline Pennell

© Tiger Darrow 2018
Music, PremieresMarch 9, 2018<March 9, 2018

Premiere: Tiger Darrow’s “Like Summer” Wallows in Bittersweet Heartache

Alex Lleo © 2018
Debut, Music, This Just InMarch 9, 2018<March 9, 2018

Review: Alex Lleo’s Debut “Bedroom Door” Is a Raw, Soul-Stirring Goodbye

Nikhil D'Souza © Andrew Whitton
Debut, Music, Music Videos, PremieresMarch 9, 2018<March 19, 2018

Premiere: Inhale the Beauty of Nikhil D’Souza’s Breathtaking “Silver and Gold”

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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