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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Big Hair Girls © MBKoeth
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween”

The Rigs © 2017
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017

Video Premiere: The Rigs Assert Intimate Independence in “The Hunted”

OYLs © 2017
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: OYLS Keep It Light on Electric Tribute, “Jerry”

keilan creech © Seth Caskey
Debut, Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection

Monikers © Lucero Photography
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Monikers’ Frigid and Fiery “Glacial Pace”

Ekurtis © 2017
Music, PremieresNovember 17, 2017<November 16, 2017

EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve

LIEZA © 2017
Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance”

Speedy Anejo - Antagonista
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo”

We Can Die Happy - Tennis
Features, Music, Our Take, ReviewsNovember 15, 2017<December 11, 2017

Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP

Elwell © 2017
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: Elwell “Claps” for Clarity and Closure

Sleight of Hand © POP ETC
Features, Music, Music Videos, PremieresNovember 15, 2017<November 15, 2017

Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos

Mountain - LA River Bend
Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: LA River Bend’s Fearless Folk-Rock Anthem “Mountain”

Fascinations Grand Chorus © kelli mcguire
Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: Love & Hope in Fascinations Grand Chorus’ “When You’re Mine”

Trevor Hall © Emory Hall
Features, Music, PremieresNovember 14, 2017<November 20, 2017

Premiere: Trevor Hall’s Vibrant “Moon / Sun” Radiates with Love

Cayden Wemple © Suzi Illia
Debut, Music, PremieresNovember 14, 2017<November 14, 2017

Premiere: Uncertainty Reigns in Cayden Wemple’s Debut “Better”

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Recent Posts

  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
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  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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