• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Madison Margot © 2017
Music, PremieresDecember 6, 2017<December 5, 2017

Premiere: Madison Margot’s “Like This” Explores Love’s Intimate Intricacies

Afterglow - Scandroid
Music, Music Videos, PremieresDecember 5, 2017<December 5, 2017

Premiere: Love, Synths & Bikes Embrace in Scandroid’s “Afterglow”

Homaze © Kassia Phoy
Music, PremieresDecember 4, 2017<December 11, 2017

Premiere: The Hypnotic Seduction of Homaze’s “Knew About Me”

"Consciousness" - R E L © Jillian Dudley
Music, Music Videos, PremieresDecember 1, 2017<December 5, 2017

Premiere: “Consciousness” Colors R E L’s Intimate Self-Awakening

Today's A New Day - Common Kings, MayDay
Features, Music, PremieresNovember 30, 2017<December 1, 2017

Premiere: The Irresistible Warmth of Common Kings’ “Today’s A New Day” (ft. ¡Mayday!)

Jeremy Bass © Skyler Smith
Music, PremieresNovember 30, 2017<November 30, 2017

Premiere: Jeremy Bass Finds Inner Strength in “Trees for the Forest”

Cavalry © 2017
Debut, Music, PremieresNovember 30, 2017<November 30, 2017

Premiere: Savoring the Fiery Glow of Cavalry’s “Cabin”

Like You Love Me - Mo Brandis
Debut, Music, Music Videos, PremieresNovember 30, 2017<November 30, 2017

Premiere: Mannequin Infatuation in Mo Brandis’ Vibrant “Like You Love Me”

Document © Alex Stotland
Debut, Features, Music, PremieresNovember 30, 2017<November 30, 2017

Album Premiere: Document Debut ‘The Void Repeats’ with Comforting Discomfort

Buku Love - Rubycon © 2017
Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love”

Live & Circle © 2017
Features, Music, Premieres, ReviewsNovember 29, 2017<November 29, 2017

EP Premiere: Line & Circle’s ‘Vicious Folly’ Balances Raw Energy with Restless Emotion

Cassandra Violet © Polly Barrowman
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Catchy Critique of Cassandra Violet’s “Pretty”

Clara Strauch © 2017
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Hopeful Darkness of Clara Strauch’s “Islands”

Lloyd Llewellyn © 2017
Debut, Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye

Carl Hauck © Dylan Fischer
Music, PremieresNovember 28, 2017<November 28, 2017

Premiere: Carl Hauck’s Glowing “Refraction” Sparks a Warm Light

Posts pagination
1 … 257 258 259 260 261 … 304

Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services