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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Wildling
Debut, Music, Premieres, ReviewsNovember 9, 2015<November 9, 2015

Exclusive Premiere: Wildling’s Catchy and Clever “Palindrome”

NoMBe (Noah McBeth)
Columns, Music, Today's SongNovember 4, 2015<March 22, 2018

Today’s Song: Poignant Closure on NoMBe’s “Kemosabe”

Wicked Man isYonatan Tietz (vocals/guitar), Justin Kohlberg (guitar, bass), Andrew Kunz (keyboards,vocals) and Max Denny (drums)
Music, Premieres, ReviewsNovember 3, 2015<November 3, 2015

Exclusive Premiere: Daydreams and Doubt on Wicked Man’s “Maybe Later”

Skylar Grey © Tyler Shields
Features, Interviews, MusicNovember 2, 2015<November 3, 2015

Doing It Her Way: How to Succeed in Music ft. Skylar Grey

The Slow Show © Percy Dean
Debut, Features, Interviews, Music, Our Take, ReviewsOctober 30, 2015<October 30, 2015

The Raw Humanity of The Slow Show’s “White Water”

Columns, Music, Today's SongOctober 26, 2015<October 26, 2015

Today’s Song: The Modern Timelessness of GEMS’ “w/o u”

The Blue Stones
Music, Our Take, ReviewsOctober 20, 2015<October 20, 2015

Our Take: The Gravitational Flux of The Blue Stones’ “Black Holes”

Greg Holden © Myriam Santos
Features, Interviews, MusicOctober 20, 2015<October 20, 2015

Integrity and Intimacy: A Glass with Greg Holden

Western Scene © 2015
Music, Premieres, ReviewsOctober 20, 2015<October 18, 2015

Exclusive Premiere: Western Scene Gives Us Something to “Believe” In

The Rare Occasions (from left to right): Luke Imbusch, Peter Stone, Brian McLaughlin, and Jeremy Cohen // credit: Jonas Meyer
Music, Premieres, ReviewsOctober 12, 2015<October 13, 2015

Exclusive Premiere: Chaotic Bliss on The Rare Occasions’ “An Actuary Retires”

"Love Me" - The 1975
Features, Music, Reviews, This Just InOctober 8, 2015<March 7, 2017

The 1975 Get Funky with “Love Me”

The Struts
Debut, Features, Interviews, MusicOctober 5, 2015<February 1, 2023

Success Smells Like… A Conversation With The Struts

Atwood in Focus: New Music, 10/2/2015
NewsOctober 2, 2015<October 2, 2015

Atwood In Focus: October 2nd New Music

Screenshot from "Doing The Right Thing" by Daughter
Columns, Music, Music Videos, Today's SongOctober 1, 2015<October 1, 2015

Today’s Song: Daughter Lament Life and Loss On “Doing The Right Thing”

Where Do You Run [EP] - The Score
Debut, Features, Interviews, MusicSeptember 30, 2015<July 4, 2024

A Guitar, A Keyboard, and A Computer in a Bedroom: A Conversation With The Score

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
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  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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