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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Josh Farrow © Alysse Gafkjen 2016
Debut, Features, Music, PremieresOctober 26, 2016<October 26, 2016

Exclusive Premiere: Josh Farrow’s ‘Trouble Walks with Me’ Bears a Heavy Heart and Americana Soul

Bear's Den © Andrew Whitton
Features, Interviews, MusicOctober 26, 2016<March 19, 2019

Therapy and Exploration: A Conversation with Bear’s Den

Lulu James "Falling" still
Features, Music, Music Videos, PremieresOctober 24, 2016<October 26, 2016

Exclusive Premiere: Lulu James Powers Through the Pain of Love on “Falling” Video

Rasputina perform "Holocaust of Giants"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 21, 2016<October 21, 2016

Atwood Magazine and LiveSyphon Present: Rasputina’s Spellbinding Cello Rock

Watching for Foxes
Features, Music, Premieres, VideoOctober 20, 2016<October 20, 2016

Exclusive Premiere: Watching for Foxes’ Fresh Start and Raw Wounds on “Prelude”

One Way Ticket - Midnight to Monaco
Features, Music, PremieresOctober 20, 2016<October 20, 2016

Exclusive Premiere: Recycle Jordan Dancifies Midnight to Monaco’s Nu-Wop Hit “One Way Ticket”

JonoJosh
Features, Music, PremieresOctober 19, 2016<October 26, 2016

Exclusive Premiere: JonoJosh Rides the Sonic Zeitgeist on Formative Debut ‘Outside’ EP

Ben Hobbs © Caitlin Mogridge
Features, Music, PremieresOctober 18, 2016<October 26, 2016

Exclusive Premiere: Ben Hobbs’ “Take The Blame” Is a Vulnerable, Ominous Anthem

Driftwood © Danielle Geristen
Features, Music, PremieresOctober 17, 2016<October 17, 2016

Exclusive Premiere: Driftwood’s “Too Afraid” Explores Attraction’s Pleasure and Pain

Oh Wonder © 2016
Atwood On Tour, Columns, Features, Interviews, MusicOctober 14, 2016<December 9, 2016

Humble, Honest, and Human: Catching Up with Oh Wonder

DD Allen © 2016
Debut, Features, Music, PremieresOctober 14, 2016<October 14, 2016

Exclusive Premiere: “Just Like The Old Days,” DD Allen’s Timeless Pursuit of Happiness

Rocket Quaffle - Couch Jackets
Features, Music, Music Videos, PremieresOctober 12, 2016<October 12, 2016

Exclusive Premiere: Couch Jackets’ “Rocket Quaffle” Is a Fun, Colorful Chaos

Zach Ashton
Features, Music, PremieresOctober 11, 2016<October 11, 2016

Exclusive Premiere: The Painstaking Patience of Zach Ashton’s “Borderline”

BRÅVES "Me The Thief" still
Columns, Music, Music Videos, Today's SongOctober 7, 2016<October 7, 2016

Today’s Song: Love is Love on BRÅVES’ Powerfully Passionate “Me The Thief”

"National Fantasy" still - Bridges and Powerlines
Features, Music, Music Videos, PremieresOctober 6, 2016<October 6, 2016

Exclusive Premiere: Bridges and Powerlines’ “National Fantasy” Searches for Meaning

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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