• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Biscuits & Gravy
Features, Music, Our Take, PremieresSeptember 21, 2016<September 21, 2016

Exclusive Premiere: Biscuits & Gravy Capture the Magic on “Young Love”

Komox
Features, Music, PremieresSeptember 19, 2016<September 19, 2016

Exclusive Premiere: Komox’s Irresistibly Heartfelt “Million Ways” Fights for Love

Adult Future is Darius Byrne, Brian Ireland, and Andrew Eyles
Debut, Features, Music, PremieresSeptember 16, 2016<September 19, 2016

Exclusive Premiere: Adult Future Fight Fear with Love on Debut “The Leaf House”

Handsome Ghost's Tim Noyes © Daniel Silbert
Features, Interviews, MusicSeptember 15, 2016<December 23, 2016

Dark, with Just a Touch of Light: A Conversation with Handsome Ghost

Screenshot from "The Things I’ve Always Liked I Now Hate" by Occurrence
Features, Music, Music Videos, PremieresSeptember 15, 2016<September 15, 2016

Exclusive Premiere: Occurrence’s Unsettling Video “The Things I’ve Always Liked I Now Hate”

Everything Is Green
Debut, Features, Music, PremieresSeptember 14, 2016<September 14, 2016

Exclusive Premiere: The Colorful Flavors on Everything is Green’s “Sweet Teeth”

Faulkner
Columns, Music, Today's SongSeptember 13, 2016<September 13, 2016

Today’s Song: Faulkner’s Anthem “Halo Me” Finds Strength in Hardship

CLAVVS © Piezo Quartz
Features, Music, PremieresSeptember 8, 2016<September 8, 2016

Exclusive Premiere: CLAVVS’ Hypnotic and Lustful “Serpentine”

Cubits © Isaac Winkler
Debut, Features, Music, PremieresAugust 30, 2016<August 30, 2016

Exclusive Premiere: Iowa’s Cubits Hypnotize on Debut “Oh Well That Ends Well”

St Paul and the Broken Bones © David McClister
Columns, Music, Today's SongAugust 29, 2016<September 9, 2016

Today’s Song: St. Paul & The Broken Bones Challenge Apathy on “All I Ever Wonder”

Glass Animals © Neil Krug
Features, Interviews, MusicAugust 25, 2016<March 22, 2017

The Musician’s Guide to Human Beings: A Conversation with Glass Animals

Future Soul © Kyle Gilbert
Features, Music, PremieresAugust 24, 2016<August 24, 2016

Exclusive Premiere: Future Soul’s “Faith” Seeks Light in the Dark

Hey Violet is Rena Lovelis, Nia Lovelis, Miranda Miller, and Casey Moreta
Features, Interviews, MusicAugust 23, 2016<March 2, 2025

Love, Pop, and Brand New Moves: A Conversation with Hey Violet

Wages "Rattlesnake" still
Features, Music, Music Videos, PremieresAugust 18, 2016<August 18, 2016

Exclusive Premiere: Wages’ “Rattlesnake” Copes with Pain in Darkness

Broods is Georgia and Caleb Nott
Features, Interviews, MusicAugust 15, 2016<August 29, 2016

Bigger, Bolder, and ‘Conscious’: A Conversation with Broods

Posts pagination
1 … 287 288 289 290 291 … 303

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services