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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Willow Avalon © Kristin Karch 2024
Debut, Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

“I still feel like a stranger to my listeners, and that’s something I want to change”: A Conversation With Willow Avalon

Slow Fiction "Apollo" © Miles Wilson
Music, PremieresJanuary 22, 2024<January 23, 2024

Premiere: Brooklyn’s Slow Fiction Burn Bright on “Apollo,” a Raw & Raging Indie Rock Eruption

Fetch Tiger © Nicole Miller
Music, PremieresJanuary 22, 2024<January 22, 2024

Premiere: Fetch Tiger’s Radiant & Relentless “Psychosomatic” Is a Hot n’ Heavy Indie Pop Fever Dream

Wynona © Lachlan Chester
Columns, Music, Today's SongJanuary 19, 2024<January 19, 2024

“Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval

Dogstar © Brian Bowen Smith
Interviews, MusicJanuary 18, 2024<January 18, 2024

Interview: Reunited After 21 Years, ’90s Alt-Rock Band Dogstar Set a High Bar on ‘Somewhere Between the Power Lines and Palm Trees’

Haley Blais © Mackenzie Walker
Features, Interviews, Music, Track-by-TrackJanuary 18, 2024<January 18, 2024

“I want my therapist to think I’m cool”: Haley Blais Is Beautifully Exposed on ‘Wisecrack,’ Her Unapologetic & Unfiltered Sophomore LP

Joan & The Giants © 2024
Columns, Music, Today's SongJanuary 18, 2024<January 18, 2024

Joan & The Giants’ Love-Soaked “Good Time” Is a Sweet Surrender to the Moment

Lizzie Esau © Storm Hudspith Walker
Columns, Music, Today's SongJanuary 17, 2024<January 17, 2024

Today’s Song: Newcastle’s Lizzie Esau Churns Through an Anxious Mind on “Impossible + Strange”

deary EP - deary
Debut, Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

“deary, not dreary”: London Duo deary Unleash Ethereal Dream Pop Wonder on Debut EP

A Beacon School © Matthew Marino
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: In ‘yoyo,’ A Beacon School Weaves Gauzy Dream Pop & Shiver-Inducing Shoegaze into a Seductive Sonic Haze

Dylan LeBlanc © Abraham Rowe
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: Dylan LeBlanc Unpacks His Own Humanity in ‘Coyote,’ a Cinematic, Cerebral, & Thrilling Concept Album

Ducks Ltd. © Colin Medley
Columns, Music, Today's SongJanuary 16, 2024<January 16, 2024

Today’s Song: Toronto’s Ducks Ltd. Hitch a Rollicking, Runaway “Train Full of Gasoline”

Roanoke © John Florentino
Artist to Watch, Columns, Music, Today's SongJanuary 12, 2024<January 12, 2024

Artist to Watch: Nashville’s Roanoke Come “Back Again” With Spirited Passion & Charming Nostalgia

Nicotine Dolls © Hannah Greve
Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Feature: Nicotine Dolls’ ‘How Do You Love Me’ EP is the Soundtrack to a Soul Unleashed & Exposed

Wonder, Won't You? - Harrison Storm
Debut, Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Track-by-Track: Harrison Storm’s Debut LP ‘Wonder, Won’t You?’ Is an Intimate Indie Folk Diary of Human Experience

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