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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's Editor's Picks 100, featuring Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, and Overcoats!
Columns, Editor's Picks, Features, MusicMay 19, 2023<May 19, 2023

Editor’s Picks 100: Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, & Overcoats!

Folamour © Koria
Columns, Music, Today's SongMay 19, 2023<May 19, 2023

Today’s Song: On “Friends,” Folamour & Tim Ayre Capture the Importance of Human Connection

Abby Holliday © Luke Holliday 2023
Features, Interviews, MusicMay 18, 2023<May 19, 2023

Interview: On ‘I’M OK NO I’M NOT,’ Abby Holliday Soundtracks Her Quarter-Life Crisis with Tasteful Turbulence & Bold Tenacity

Lauds © Mary Hannah Riley
Debut, Features, Interviews, Music, PremieresMay 18, 2023<May 18, 2023

Feature: Wilmington’s Lauds Debut with ‘Imitation Life,’ a Reflective, Shadowy, & Uplifting Dream Pop Reckoning

OK Cool © Kennedy Cottrell
Features, Interviews, Music, Track-by-TrackMay 17, 2023<May 17, 2023

“A Rabbit Hole of Digital Grief”: OK Cool’s Visceral, Vulnerable, & Raw ‘fawn’ EP

KESMAR © Jenaya Okpalanze
Columns, Music, Today's SongMay 17, 2023<May 17, 2023

That ’70s Song: The Golden, Glistening Glow of KESMAR’s “Is It You I Miss”

Rachel Croft © Andy Little
Music, PremieresMay 17, 2023<May 17, 2023

Premiere: Rachel Croft’s Smoldering “I Won’t Turn You Away” Is a Cinematic Reckoning with Grief & Loss

Moment - Gal Musette © Alex Justice
Columns, Music, Today's SongMay 16, 2023<May 16, 2023

Today’s Song: Processing Grief in the “Moment” with Gal Musette’s Achingly Beautiful Fever Dream

Auld © 2023
Music, PremieresMay 16, 2023<May 16, 2023

“This guilt-free fun don’t come around often”: Auld Premieres “I’m Exercising,” a Free-Spirited Song of Reverie & Reckoning

Dark Corners and Alchemy - mehro
Debut, Features, Interviews, Music, Track-by-TrackMay 15, 2023<May 15, 2023

Feature: mehro Shines a Light on the Shadows in ‘Dark Corners and Alchemy,’ His Breathtaking Debut Album

coslee © Mariza Kapsambeli
Columns, Music, Today's SongMay 15, 2023<May 15, 2023

Today’s Song: Greece’s coslee & papatanice Get Freaky in Funk-Fueled Fever Dream “do_Fr3ak.wav”

Atwood Magazine's Editor's Picks 99
Columns, Editor's Picks, Features, MusicMay 12, 2023<May 16, 2023

Editor’s Picks 99: Jo Hill, BETWEEN FRIENDS, The Satellite Station, Harrison Storm, Chenayder, & Matilda Mann!

'Winner' - Overcoats
MusicMay 11, 2023<May 11, 2023

Interview: Overcoats’ Triumphant ‘Winner’ Redefines Success for Everyday Life

FORAGER © Evan Carter
Music, PremieresMay 11, 2023<May 12, 2023

Premiere: Basking in FORAGER’s Funk-Fueled Fever Dream, “Fuji or a Trek”

Wila Frank © David Piñeros
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 11, 2023<May 11, 2023

Cathartic, Cinematic, & Honest: Wila Frank Premieres Her Soul-Stirring Debut Album ‘Black Cloud’

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Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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