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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

semiwestern's Ty Bohrnstedt and his dog
Debut, Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 24, 2023

Unpolished, Melodic, & Introverted: semiwestern’s Self-Titled Debut Is a Dusty, Lo-Fi Seduction

Abby Holliday © Grace Holliday
Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 22, 2023

Track-by-Track: Abby Holliday’s ‘I’M OK NO I’M NOT (Deluxe Edition)’ Is an Intimate & Cinematic Expansion

Holly Humberstone © Constantine, Spence
Columns, Music, Today's SongSeptember 21, 2023<September 21, 2023

Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love

Maiah Wynne's "Drive Me Mad" music video still
Music, PremieresSeptember 21, 2023<September 21, 2023

Premiere: Maiah Wynne’s Smile-Inducing “Drive Me Mad” Is a Ray of Folk-Pop Sunshine

Didirri is 'Caught in the Act' © Ian Laidlaw
Debut, Features, Interviews, MusicSeptember 20, 2023<March 2, 2025

Interview: Didirri’s ‘Caught in the Act’ Is a Debut Full of Feeling, Healing, Intimacy & Intent

Brett Newski in Hamburg © Sebastian Madej
Columns, Music, Today's SongSeptember 20, 2023<September 20, 2023

Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering

Fell Off - Albert Newton © Ella Hermë
Music, Music Videos, PremieresSeptember 20, 2023<September 21, 2023

Premiere: Albert Newton’s Cinematic & Dreamy “Fell Off” Is a Radiant Reckoning with Change Off Debut Album

VARLEY © Paul Hepper
Artist to Watch, Columns, Music, Today's SongSeptember 19, 2023<September 19, 2023

Artist to Watch: VARLEY Spiral Out in “Hate Myself (So Much Sometimes),” a Seductive Anthem of Inner Reckoning

The Brook & The Bluff © Noah Tidmore
Features, Interviews, MusicSeptember 19, 2023<September 30, 2023

Interview: The Brook & The Bluff Chase Melancholic Joy on ‘Bluebeard,’ a Soulful, Swashbuckling Triumph

Phosphene © Jeffrey Placencia
Features, Interviews, Music, Track-by-TrackSeptember 18, 2023<September 19, 2023

“A technicolor hug”: Phosphene ‘Transmute’ Pain into Human Connection on Kaleidoscopic Third LP

Frankie Bird © 2023
Music, PremieresSeptember 18, 2023<March 2, 2025

“Now I know to just go with the flow”: Frankie Bird Finds Herself Anew in “Float,” a Song of Renewal, Surrender, & Self-Love

Briscoe © Philip Lupton
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 15, 2023

Track-by-Track: Austin’s Briscoe Debut ‘West of It All’ With Warm Folk Rock Wonder & Spirited Passion

The Beaches © Becca Hamel
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 19, 2023

“Sad Girly Triumph”: The Beaches Go Track-By-Track Through ‘Blame My Ex,’ Their Anthemic & Aching Sophomore LP

Sofía Valdés © Olivia Parker and Parker Hao
Features, Interviews, Music, Track-by-TrackSeptember 14, 2023<September 14, 2023

Feature: Sofía Valdés Dives into ‘Silvia,’ Her Intimate, Vulnerable, & Soul-Stirring Seduction

Ava Della Pietra © 2023
Music, Music Videos, PremieresSeptember 14, 2023<September 14, 2023

Premiere: NYC’s Ava Della Pietra Steps into a Bold New Era with “ego,” an Unapologetic Anthem of Empowerment

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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