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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Jess Nolan © Taylor Ann Bogner
Columns, Music, Today's SongJuly 25, 2023<July 25, 2023

Today’s Song: Jess Nolan’s Empowering & Invigorating Self-Help Anthem, “Emergency Landing”

Nick & June © Luka Popp
Features, Interviews, Music, Track-by-TrackJuly 24, 2023<December 11, 2025

Feature: Nick & June Delve into Their Dreamy, Intimate, & Raw ‘Beach Baby, Baby’

Ships Have Sailed © Gentle Giant Digital
Columns, Music, Today's SongJuly 24, 2023<July 24, 2023

Today’s Song: Ships Have Sailed Capture the Warm Breeze of Possibility on “Edge of an Ocean”

Atwood Magazine's Editor's Picks 104
Columns, Editor's Picks, Features, MusicJuly 21, 2023<July 21, 2023

Editor’s Picks 104: Holly Humberstone, Del Water Gap, Francis of Delirium, DURRY, Ashaine White, & Lovetta!

Arliston © Wolf James
Features, Interviews, Music, Track-by-TrackJuly 20, 2023<July 20, 2023

Track-by-Track: Inside Arliston’s Beautifully Tender Tempest, ‘How in Heaven’

B-Drop
Features, Music, PremieresJuly 20, 2023<July 20, 2023

Premiere: B-Drop Worldwide Showcases Mia Mormino & Gal Musette

Hanging Valleys © 2023
Features, Interviews, Music, Track-by-TrackJuly 19, 2023<July 19, 2023

Growth, Distance, & Love: The Ambient Embrace of Hanging Valleys’ Soul-Stirring EP, ‘Tomorrow I’ll Be Gone’

Old Man Canyon © Cody Briggs
Music, PremieresJuly 19, 2023<July 19, 2023

Premiere: Old Man Canyon’s “Never Apart” Is a Groovy, Golden Dream of Human Connection & Healing

Matilda Mann © Caity Krone
Features, Interviews, Music, Track-by-TrackJuly 18, 2023<July 18, 2023

Track-by-Track: Matilda Mann on the Romance, Lights, & Cinema of ‘You Look Like You Can’t Swim’ EP

Chinwe © 2023
Columns, Music, Today's SongJuly 17, 2023<July 17, 2023

Today’s Song: The Relaxed Intensity of Chinwe’s Soul-Stirring “Come We Fly”

Joy Mumford "Spilt Milk" © 2023
Columns, Music, Today's SongJuly 13, 2023<July 13, 2023

Today’s Song: Joy Mumford’s “Spilt Milk” Offers a Lesson in Vulnerability & Letting Go

Atwood Magazine's Editor's Picks 103
Columns, Editor's Picks, Features, MusicJuly 13, 2023<December 11, 2023

Editor’s Picks 103: EmmersonHALL, Boyish, Maple Glider, Blondes, Girl Scout, & Mumble Tide!

Cosial © Katy Gettings
Columns, Music, Today's SongJuly 12, 2023<July 12, 2023

Today’s Song: Manchester’s Cosial Gets Under the Surface and “In View” on Her Intimate Indie Pop Confessional

Mise en Scene 'Reality Bites' © Adam Kelly 2023
Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

Unfiltered & Unapologetic: Mise en Scene Deliver Raw Truths and Fresh Grooves on ‘Reality Bites’ EP

Today's Outfit © 2022
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

‘Your Perfect Self’: Today’s Outfit Debut With Social Media Critiques and a Searing New Wave Sound

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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