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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lanterns on the Lake © Rob Irish
Features, Interviews, Music, Track-by-TrackJune 5, 2023<June 5, 2023

“Am I a wreck? You bet”: Lanterns on the Lake Unveil ‘Versions of Us,’ Their Cinematic & Soul-Stirring Fifth Album

Foo Fighters © Danny Clinch
Music, ReviewsJune 2, 2023<June 2, 2023

Review: Foo Fighters’ ‘But Here We Are’ Is a Tempest of Grief, Loss, and Reckoning

ep 1 - two blinks, i love you
Debut, Features, Interviews, Music, Track-by-TrackJune 2, 2023<November 29, 2023

Warmth, Weight, & Wonder: Liverpool’s two blinks, i love you Shares His with Organic, Romantic & Radiant ‘ep 1’

The Milk Carton Kids © Brendan Pattengale
Features, Interviews, Music, Track-by-TrackJune 1, 2023<June 1, 2023

Track-by-Track: The Milk Carton Kids Dive into ‘I Only See the Moon,’ Their Intimate & Cinematic 7th Album

Tinsley © William Daniel Harvey
Music, PremieresJune 1, 2023<June 1, 2023

Premiere: Tinsley’s New Love Song Is an Intimate, Instant “Classic”

CMAT © Sarah Doyle
Columns, Music, Today's SongJune 1, 2023<October 3, 2023

CMAT Reminds Us to “Have Fun!” (Despite Life’s Madness) on the Spirited New Single Off Her Sophomore LP ‘Crazymad, For Me’

eundohee © Chris da Canha
Features, Interviews, Music, Track-by-TrackMay 26, 2023<June 1, 2023

Lifting the Fog: Seoul’s eundohee Enchants & Inspires with Breathtaking Indie Folk on ‘Kookaburra’ EP

The Fae © 2023
Columns, Music, Today's SongMay 26, 2023<May 26, 2023

Today’s Song: Dublin’s The Fae Debut with Raw Passion on “Chloe,” a Loving Message to a Friend in Need

Guest Singer © Callum O'Keefe
Columns, Music, Today's SongMay 25, 2023<May 25, 2023

Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval

Softlung © Nicole Romanoff
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’

Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

Santa Chiara © Zoe Salvucci
Music, PremieresMay 24, 2023<May 24, 2023

Premiere: Santa Chiara’s “Peach Tree” Is a Sun-Kissed Soundtrack to Sweet Summer Nostalgia

Scott Tyler Schwartz © 2023
Music, ReviewsMay 23, 2023<May 23, 2023

“The heat is rising”: The Shadowboxers’ Scott Tyler Schwartz Lights a Fire on “Time & Temperature”

Runnner's Noah Weinman © Seannie Bryan
Debut, Features, Interviews, MusicMay 23, 2023<May 23, 2023

Connection, Communication, and the Human Condition: A Conversation with Runnner’s Noah Weinman

Gregory Alan Isakov © Glen Ross
Columns, Music, Today's SongMay 22, 2023<June 10, 2023

“We all break a little when we fall”: Folk Farmer Gregory Alan Isakov Returns with “The Fall,” a Hauntingly Beautiful Song of Life’s Trapeze Act

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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