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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

deary © Emelie Eckerud
Columns, Music, Today's SongAugust 31, 2023<March 2, 2025

“A vision equally glamorous and dirty”: The Tender Turmoil of deary’s “Beauty in All Blue Satin”

Paris Paloma © Jennifer McCord
Music, PremieresAugust 31, 2023<August 31, 2023

“Loving Oneself Under Patriarchy Is a Revolutionary Act”: Paris Paloma’s “as good a reason” Is a Liberated, Empowering Feminist Anthem

No Guitar - Curling
Features, Interviews, Music, Track-by-TrackAugust 30, 2023<August 30, 2023

“Eclectic, Spontaneous, and Still a Bit Neurotic”: Inside Curling’s Labor of Love, ‘No Guitar’

Menajerie © 2023
Music, PremieresAugust 30, 2023<August 30, 2023

“Selective deafness, but now you know”: Menajerie’s Soul-Stirring “Holding Pattern” Is an Empowering & Emotionally Charged Seduction

Phosphene © Jeffrey Placencia
Music, PremieresAugust 30, 2023<August 30, 2023

A Bittersweet Romance: Phosphene Premiere Their Tender Tempest “Wandering” Off New Album ‘Transmute’

"i’m confident that i’m insecure" - Lawrence © Deanie Chen
Features, Interviews, MusicAugust 29, 2023<August 30, 2023

“I’m confident that I’m insecure”: Lawrence Are More Fun, Quirky, & Vulnerable Than Ever

Mick Flannery © Susie Conroy
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Mick Flannery Explores the Arc of Life on “Young,” a Visceral & Radiant Reckoning

Beharie © Shawn Arvind
Music, PremieresAugust 29, 2023<August 29, 2023

Premiere: Beharie’s Soul-Stirring “We Never Knew” Is a Passionate Postmortem on Lost Love

Isaac Watters © Stone Shannon
MusicAugust 28, 2023<August 28, 2023

EP Premiere: The Gentle Warmth & Wonder of Isaac Watters’ ‘Extended Play 002’

Ester © Ash Dye
Music, PremieresAugust 28, 2023<August 28, 2023

Premiere: Ester’s “Seed, Sun, Soil” Is an Aching, Enchanting, & Tender Lament

Emma Gatrill © Sequoia Ziff
Columns, Music, Today's SongAugust 25, 2023<August 25, 2023

Today’s Song: The Wide-Eyed Wonder of Emma Gatrill’s “Adonis Blue”

Benét
Features, Interviews, MusicAugust 24, 2023<August 24, 2023

Intimate, Candid, & Provocative: Benét Talks Vulnerability & Making of Debut Album ‘Can I go again?’

Laura Zarougian
Music, PremieresAugust 24, 2023<August 24, 2023

“Turning reality on its head”: Laura Zarougian’s “Back to Me” Premieres With Achingly Raw Folk Charm

Course © Savannah Scruggs
Music, Music Videos, PremieresAugust 23, 2023<August 23, 2023

Premiere: Chicago’s Course Deliver a Synth-Soaked Inner Reckoning in “Too Busy for Feelings”

Hayley Reardon "Enough Is Everything" still © Blake Z. Larson
Music, PremieresAugust 23, 2023<August 23, 2023

“I held the world then put it back”: Hayley Reardon Bares Her Soul on the Achingly Vulnerable “Enough Is Everything”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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