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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

WILSN © She Is Aphrodite
Debut, Features, Interviews, Music, Track-by-TrackFebruary 10, 2023<February 18, 2023

Feature: WILSN Is Unleashed on ‘Those Days Are Over,’ a Debut Full of Confidence, Raw Energy, & Smoldering Soul

Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Music, Today's SongFebruary 10, 2023<April 2, 2023

Artist to Watch: South London’s Jasmine Jethwa Lights a Fire Inside with “Money to Burn”

Silver Line - Hayden Everett © Ethan Porter
Features, Interviews, Music, Premieres, Track-by-TrackFebruary 9, 2023<March 26, 2024

Coarse, Reflection, Breathe: Hayden Everett Premieres His Beautifully Iridescent & Introspective ‘Silver Line’ EP

Atwood Magazine's Editor's Picks 87
Columns, Editor's Picks, Features, MusicFebruary 8, 2023<August 13, 2024

Editor’s Picks 87: Slow Fiction, M.A.G.S., Sofia Monroy, The Rocket Summer, Steady Holiday, & Roo Panes!

Katie Boeck © Josh Kranich
Music, PremieresFebruary 8, 2023<February 8, 2023

Premiere: Nashville’s Katie Boeck Makes Peace with the Past in Smoldering Song, “Over Again”

Virginia Sweet © Andrew Kuykendall
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Virginia Sweet’s Debut EP ‘The Revival’ Soars with Feverish, Smoldering Southern Rock Charm

Personal Trainer © 2022
Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Indie Pop Duo Personal Trainer Shine on Cinematic, Evocative, & Cathartic ‘Reflex’ EP

janney - JANNEY
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Track-by-Track: JANNEY Dives into His Smoldering & Cinematic Self-Titled Debut Album

Patrick James © 2022
Features, Interviews, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Patrick James Embraces Self-Reliance on Nostalgic, Autobiographical, & Heartfelt Sophomore LP ‘I’ll Take Care of Myself, If You Take Care of Yourself’

What Kind Of Music Do You Like To Listen To? - Coconut Cream
Features, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Sydney’s Coconut Cream Shine on Dreamy & Golden EP, ‘What Kind of Music Do You Like to Listen To?’

SYML © Sarah Cass
Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 4, 2023

“Cozy, Honest, Imperfect”: SYML Dives into the Raw Depths of ‘The Day My Father Died,’ an Album of Grief & Love

Somebody's Child © Nicholas O'Donnell
Debut, Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 3, 2023

Feature: Somebody’s Child Soars Triumphant on Urgent, Brutal, & Honest Self-Titled Debut

Human - Signe Vange
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP

Atwood Magazine's Editor's Picks 86
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023

Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz!

Evelyn Frances © Heather Skye photography
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023

Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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