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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

QTY © Danny North
Columns, Features, Music, This Just In, Today's SongSeptember 18, 2017<October 5, 2017

This Just In: The Confessional Brilliance of QTY’s “Michael”

Wolf Alice © Laura Allard Fleischl
Features, Interviews, MusicSeptember 12, 2017<September 12, 2017

Back, Bolder, and Better: A Conversation with Wolf Alice

TEACHERS © 2017
Music, Music Videos, PremieresAugust 25, 2017<August 25, 2017

Video Premiere: Dichotomies Tell a Story in TEACHERS’ “Loved You All the Way”

Dream Wife © Hollie Fernando
Music, Reviews, This Just InAugust 18, 2017<August 18, 2017

This Just In: Dream Wife Ignite a “Fire”

Coast Modern © Faye Webster
Debut, Features, Interviews, MusicJuly 28, 2017<August 14, 2017

The Essence of Good Vibes: Catching up with Coast Modern

Nick Hinman of Palm Springsteen © Nicole Almeida
Debut, Features, Interviews, MusicJuly 17, 2017<July 17, 2017

Here to Woo You: A Conversation with Palm Springsteen

Wolf Alice © Laura Allard Fleischl
Columns, Music, Reviews, Today's SongJuly 7, 2017<July 11, 2017

Today’s Song: “Don’t Delete the Kisses” is Wolf Alice’s Bubbly, Synth-Filled Paradise

Shells © Shells
Music, PremieresJune 30, 2017<June 30, 2017

Premiere: Shells Learn from Heartache on “New Bones”

Blaenavon in NYC, June 2017 © Nicole Almeida
Debut, Features, Interviews, MusicJune 15, 2017<June 15, 2017

They Will Be the World: A Conversation with Blaenavon

Colouring in NYC © Nicole Almeida
Features, Interviews, MusicJune 9, 2017<June 10, 2017

Freedom, Soul, and Connection: A Conversation with Colouring

Marika Hackman © Steve Gullick
Music, ReviewsJune 2, 2017<June 6, 2024

Review: Marika Hackman is Bold and Unafraid in ‘I’m Not Your Man’

James Vincent McMorrow © 2017
Music, Reviews, This Just InMay 23, 2017<May 23, 2017

This Just In: James Vincent McMorrow Finds “True Care”

Cherée © Bolade Banjo
Debut, Interviews, MusicMay 15, 2017<May 16, 2017

A Star on the Rise: A Conversation with Cherée

The Japanese House © Danny North
Columns, Music, Reviews, Today's SongMay 8, 2017<July 5, 2017

Longing, Loss, and Hope in The Japanese House’s “Saw You in a Dream”

Blaenavon © Scott Witt
Debut, Features, Music, ReviewsApril 26, 2017<June 29, 2017

Review: Blaenavon Play with Light & Darkness on Debut Album ‘That’s Your Lot’

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Recent Posts

  • “Don’t Give Up on Us”: Lewis Capaldi Finds Stillness in the Storm on “Stay Love” May 16, 2026
  • Atwood Magazine’s Weekly Roundup: May 15, 2026 May 15, 2026
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  • Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’ May 15, 2026
  • ‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling May 15, 2026
  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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