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Anthony Kozlowski

Anthony Kozlowski

Anthony is an audiophile who’s made a career out of constantly wearing a set of headphones. When he isn’t recording sound on movie sets, you can find him at an LA coffee shop dumping his thoughts into notebooks or taking up space at a concert. He once went to culinary school because he was bored, and is in a perpetual struggle to keep his houseplants alive. He currently hosts Atwood's one and only podcast Tunes & Tumblers.

The Black Keys © Alysse Gafkjen
Features, Music, ReviewsApril 5, 2019<April 5, 2019

The Black Keys Are Back! What Does That Mean?

Does Anybody Remember Laughter?April 1, 2019<April 2, 2019

Tunes & Tumblers: Pour Yourself a Refreshing Glass of NPR

Maggie Rogers 2019 © Olivia Bee
Columns, Music, Tunes & TumblersMarch 21, 2019<April 30, 2023

Tunes & Tumblers: Alchemy 101 with Maggie Rogers

Betty Who © Ben Cope
Features, Interviews, MusicMarch 13, 2019<April 1, 2019

Feature: Betty Who Is Feeling Like the Old ‘Betty’

Outkast Tunes & Tumblers 2019
Columns, Music, Tunes & TumblersMarch 7, 2019<April 30, 2023

Tunes & Tumblers: Double-Fisting Cocktails with Outkast’s Masterpiece

Head for the Hills © Cynthia Wilson
Music, PremieresFebruary 28, 2019<February 28, 2019

Premiere: Head for the Hills Chase the Daylight on “Darkness Meets the Day”

The Last Internationale © 2019
Columns, Music, Tunes & TumblersFebruary 21, 2019<December 29, 2024

Tunes & Tumblers: Knock Back a Rusty Nail with The Last Internationale

Quincy Mumford © 2019
Music, PremieresFebruary 7, 2019<February 7, 2019

Premiere: Quincy Mumford Recalls Brighter Days on “Cruisin'”

Betty, Pt. 1 - Betty Who 2019
Columns, Music, Today's SongJanuary 31, 2019<February 6, 2019

Today’s Song: Betty Who Lends a Hand on “Friend Like Me”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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