Columns, Features, Music, Weekly RoundupJune 19, 2020<August 23, 2020 Atwood Magazine’s Weekly Roundup: Black Lives Matter
Features, Music, Weekly RoundupJune 5, 2020<August 23, 2020 Atwood Magazine’s Weekly Roundup: Black Lives Matter.
Features, Music, Reviews, RoundtableJune 1, 2020<June 29, 2024 Roundtable Discussion: A Review of The 1975’s ‘Notes on a Conditional Form’
Features, Music, Weekly RoundupMay 29, 2020<May 29, 2020 Atwood Magazine’s Weekly Roundup: May 29, 2020
Columns, Features, Music, Weekly RoundupMay 22, 2020<May 22, 2020 Atwood Magazine’s Weekly Roundup: May 22, 2020
Features, Music, Weekly RoundupMay 15, 2020<May 15, 2020 Atwood Magazine’s Weekly Roundup: May 15, 2020
Features, Music, Reviews, RoundtableMay 14, 2020<June 29, 2024 Roundtable Discussion: A Review of The Strokes’ ‘The New Abnormal’
Features, Music, Weekly RoundupMay 8, 2020<May 15, 2020 Atwood Magazine’s Weekly Roundup: May 8, 2020
Features, Music, Reviews, RoundtableMay 5, 2020<June 29, 2024 Roundtable Discussion: A Review of Fiona Apple’s ‘Fetch the Bolt Cutters’
Columns, Features, Music, Weekly RoundupMay 1, 2020<May 1, 2020 Atwood Magazine’s Weekly Roundup: May 1, 2020
Columns, Features, Music, Weekly RoundupApril 24, 2020<May 15, 2020 Atwood Magazine’s Weekly Roundup: April 24, 2020
Columns, Features, Music, Weekly RoundupApril 17, 2020<October 13, 2023 Atwood Magazine’s Weekly Roundup: April 17, 2020
Columns, Features, Music, Weekly RoundupApril 10, 2020<May 15, 2020 Atwood Magazine’s Weekly Roundup: April 10, 2020
Features, Music, Reviews, RoundtableApril 9, 2020<June 29, 2024 Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act
Columns, Features, Music, Weekly RoundupApril 4, 2020<April 4, 2020 Atwood Magazine’s Weekly Roundup: April 4, 2020
For the Love of Music
For the Love of Music
