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Atwood Magazine's Weekly Roundup | May 6, 2022

Columns, Features, Music, Weekly RoundupMay 6, 2022<May 6, 2022

Atwood Magazine’s Weekly Roundup: May 6, 2022

Atwood Magazine's Weekly Roundup | April 29, 2022

Columns, Features, Music, Weekly RoundupApril 29, 2022<April 29, 2022

Atwood Magazine’s Weekly Roundup: April 29, 2022

Atwood Magazine's Weekly Roundup | April 22, 2022

Columns, Features, Music, Weekly RoundupApril 22, 2022<April 22, 2022

Atwood Magazine’s Weekly Roundup: April 22, 2022

Osees © Sophie Prettyman-Beauchamp

Festival, MusicApril 22, 2022<April 22, 2022

Gallery: Highlights of Treefort 10

Kim Gordon at Treefort 10 © Sophie Prettyman-Beauchamp

Festival, Music, ReviewsApril 19, 2022<April 22, 2022

Roundtable Discussion: Treefort 10 Was a Choose-Your-Own-Adventure Spectacular

Atwood Magazine's Weekly Roundup | April 15, 2022

Columns, Features, Music, Weekly RoundupApril 15, 2022<April 15, 2022

Atwood Magazine’s Weekly Roundup: April 15, 2022

Atwood Magazine's Weekly Roundup | April 1, 2022

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Atwood Magazine’s Weekly Roundup: April 1, 2022

Atwood Magazine's Weekly Roundup | March 25, 2022

Columns, Features, Music, Weekly RoundupMarch 25, 2022<March 25, 2022

Atwood Magazine’s Weekly Roundup: March 25, 2022

Treefort Music Fest 10 © Ben Niesen

Festival, Music, PreviewsMarch 23, 2022<March 23, 2022

10 Things to Look Forward to at Treefort 10

Atwood Magazine's Weekly Roundup | Women's History Month 2022

Columns, Features, Music, Weekly Roundup, Women's History MonthMarch 18, 2022<March 18, 2022

Atwood Magazine’s Weekly Roundup: Women’s History Month 2022

Atwood Magazine's Weekly Roundup | March 11, 2022

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Atwood Magazine’s Weekly Roundup: March 11, 2022

Atwood Magazine's Weekly Roundup March 4, 2022

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Atwood Magazine’s Weekly Roundup: March 4, 2022

Atwood Magazine's Weekly Roundup | February 25, 2022

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Atwood Magazine’s Weekly Roundup: February 25, 2022

Atwood Magazine's Weekly Roundup | February 18, 2022

Columns, Features, Music, Weekly RoundupFebruary 18, 2022<February 18, 2022

Atwood Magazine’s Weekly Roundup: Black History Month 2022

Atwood Magazine's Weekly Roundup | February 11, 2022

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Atwood Magazine’s Weekly Roundup: February 11, 2022

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Live Review: Inside Lizzy McAlpine’s Unforgettable, Intimate ‘Angel’ Show September 24, 2026
“It’s OK to Cry About the Color Green”: Chase Elodia Celebrates Friendship at Its Most Ridiculous on “Mushroom Trip,” a Lush Indie Folk Ode to the Real Ones September 24, 2026
“Holy Cow, This Is a Lot”: Milk St. Meet Life’s Chaos at Full Volume on ‘Good Grief,’ a Bruising, Combustible Eruption of Hardcore Soft Rock September 23, 2026
“Choosing Each Other Every Day”: Chicago’s The Empty Pockets Make a Love Song Out of the Daily Grind on “I Never Get Sick of You” September 23, 2026
“There’s a Little Secret Knowing Between Us”: Penelope Isles Turn a Decade of Sibling Shorthand into ‘3,’ a Third Album That Trades Perfectionism for Instinct September 23, 2026
Roundtable Discussion: A Review of Paul McCartney’s ‘The Boys of Dungeon Lane’ September 22, 2026
Songs that Refuse to Stay in the Past: Colin Hay on Returning to the Stage As Men at Work September 22, 2026
“You Have to Shoot from the Hip”: Brighton’s Hollow Hand Find Magic in the Everyday with “Here Are the Tulips,” a Broodingly Bright Alternative Rock Reverie September 22, 2026
Emma Ruth Rundle Explores the Space Between Hope and Desperation on ‘These Killing Times’ September 18, 2026
Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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