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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

Bobby Mahoney © Dieter Unrath
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: Bobby Mahoney and The Seventh Son Channel the “Roaring Twenties”

Sorority Noise © 2018
Music, ReviewsMarch 7, 2018<March 7, 2018

Review: Sorority Noise Force Pop-Punk into Retirement with YNAAYT

Faces - Newspoke
Debut, Features, Music, PremieresFebruary 28, 2018<February 28, 2018

Album Premiere: Newspoke Get Intensely Personal on Debut ‘Faces’

Collapsi © 2018
Columns, Debut, Music, Today's SongFebruary 26, 2018<February 26, 2018

Today’s Song: Collapsi Takes a Stand & Pushes Forward in Debut “Burn Like a Mother”

The Bonnevilles © Svein-Roger Johnsen
Music, PremieresFebruary 19, 2018<February 19, 2018

Premiere: The Bonnevilles Fuel Rock with Young Blood on “Long Runs the Fox”

Natti Vogel © 2018
Music, ReviewsFebruary 13, 2018<April 26, 2018

Review: Natti Vogel Dissects Modern Relationships on ‘Serving Body’ EP

Sixteen Jackies © Dakota Allen
Debut, Music, PremieresFebruary 7, 2018<February 7, 2018

Premiere: Sixteen Jackies Paint the Beauty & Fear of New Love with “You Came”

Growing Pains - Tiny Blue Ghost
Debut, Music, ReviewsJanuary 30, 2018<January 30, 2018

Review: Tiny Blue Ghost Bring a Well-Rounded, Mature Approach to ‘Growing Pains’

Ought © Laura Harvey
Columns, Music, Today's SongJanuary 29, 2018<January 29, 2018

Today’s Song: Ought Import International Confusion with “Disgraced in America”

Mike Shinoda - Over Again
Music, ReviewsJanuary 26, 2018<January 26, 2018

EP Review: Linkin Park’s Mike Shinoda Offers a Window into Grieving Loss of Chester Bennington

Columns, Music, Today's SongJanuary 22, 2018<January 22, 2018

Today’s Song: Titus Andronicus Shoot for a Greater Ambition on “Number One (In New York)”

POST- Jeff Rosenstock art
Features, Music, ReviewsJanuary 16, 2018<January 16, 2018

Review: Jeff Rosenstock Returns to Straightforward Punk Roots on POST-

Jeff Rosenstock 2017 live in NYC
Columns, Concert Conversations, Music, ReviewsJanuary 12, 2018<January 12, 2018

LIVE: Jeff Rosenstock Brings the Dread and Love of Worry to Brooklyn

New York - St Vincent
Columns, Music, Today's SongJanuary 11, 2018<January 11, 2018

Today’s Song: Intimacy and Frustration in St. Vincent’s “New York”

The Hold Steady © Rich Tarbell
Columns, Music, Today's SongJanuary 8, 2018<January 8, 2018

Today’s Song: The Hold Steady Capture the Nostalgia of Partying with Old Friends on “Entitlement Crew”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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