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Jason Brillon

Jason Brillon

Hi, my name's Jason. I'm a recent graduate from Tufts University, where I studied Computer Science and English. I'm currently working as a Software Engineer. Music is one of my biggest interests, and I spend a lot of my time attending small shows and big concerts in the greater Boston area. I like basically every type of music (except country… sorry), but my go-to genre is "Alternative" which includes most everything under the sun. Some of my favorite acts include Glass Animals, Slenderbodies and Yoke Lore.

'Bleachers' by Bleachers album art 8.9
Music, Our Take, ReviewsApril 2, 2024<April 2, 2024

Our Take: Bleachers’ Self-Titled Fourth Album Is a Sentimental, Peaceful Celebration from New Jersey’s Finest & Friends

slenderbodies
Features, Interviews, MusicMay 21, 2021<May 21, 2021

Interview: On ‘are we?’, slenderbodies Push Their Boundaries to Explore Who (and What) They Are

Del Water Gap © Angela Riccardi
Columns, Music, Today's SongApril 30, 2021<April 29, 2021

Today’s Song: Del Water Gap Turns the Unspoken into Art on “Sorry I Am”

Goldeen © 2021
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Today’s Song: Water Pokémon Goldeen Covers Dolly Parton Classic & Makes a Big Splash

Sam MacPherson © 2021
Columns, Music, Today's SongMarch 3, 2021<March 3, 2021

Today’s Song: Sam MacPherson’s “Routine” Is a Vulnerable Lamentation of a Past Love

Wallows © Nina Ljeti
Columns, Music, Today's SongFebruary 20, 2021<February 19, 2021

Today’s Song: Cole Preston Carries Wallows into 2021 with New Single “Quarterback”

Claud © Angela Ricciardi
Debut, Features, Interviews, MusicFebruary 12, 2021<March 14, 2021

Interview: Falling in Love with Claud, the “Bedroom Pop” Super Monster

Charli Adams © Luke Rogers
Columns, Music, Today's SongJanuary 27, 2021<November 30, 2022

Today’s Song: Nightly Join Charli Adams in Reimagining Modern Love on “Maybe Could Have Loved”

Dayglow © Pooneh Ghana
Columns, Music, Today's SongJanuary 23, 2021<January 21, 2021

Today’s Song: Dayglow Transports Us Back to the ‘80s with Danceable, Forlorn “Close to You”

Brillboard 2019-05-01 Water
Brillboard, Music, PlaylistsMay 1, 2019<May 1, 2019

The Brillboard: Water, 5/01/2019

Brillboard 2019-04-17
Brillboard, Music, PlaylistsApril 17, 2019<April 17, 2019

The Brillboard: Raw, 4/17/2019

Brillboard 2019-04-03
Brillboard, Music, PlaylistsApril 3, 2019<April 3, 2019

The Brillboard: Space, 04/03/2019

Brillboard 2019-03-20
Brillboard, Music, PlaylistsMarch 20, 2019<March 20, 2019

The Brillboard: Birthday, 03/20/2019

Brillboard 2019-03-06
Brillboard, Music, PlaylistsMarch 6, 2019<March 6, 2019

The Brillboard: Support, 03/06/2019

Brillboard 2019-02-13
Brillboard, Music, PlaylistsFebruary 13, 2019<February 13, 2019

The Brillboard: Valentine’s Day, 02/13/2019

Posts pagination
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Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
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  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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