• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Kelly McCafferty Dorogy

Kelly McCafferty Dorogy

Kelly has been with Atwood since its earliest days in 2014. She is originally from Pittsburgh, PA, now based in New Orleans, LA and has been singing, writing, playing guitar and piano for almost all of her life. Music drives everything she does. She brings her unique perspective with each piece, always open to discovering something or someone new.

Paper Heart - Leena Ojala
Music, Music Videos, PremieresJuly 27, 2017<July 27, 2017

Video Premiere: Leena Ojala’s Pure & Real “Paper Heart”

Vance Joy © Justin Bettman
Features, Music, Reviews, This Just InJuly 14, 2017<November 14, 2017

This Just In: Vance Joy Is Back with Sweet & Sultry Single “Lay It On Me”

Something to Tell You - HAIM
Music, ReviewsJuly 13, 2017<July 13, 2017

Review: HAIM Deliver Above & Beyond with ‘Something to Tell You’

Zander Hawley - Until We Both Get Bored
Debut, Music, Music Videos, PremieresJune 30, 2017<June 30, 2017

Video Premiere: Zander Hawley’s Heartbreaking & Real “Until We Both Get Bored”

Aaron Espe © Nettwerk
Interviews, Music, PremieresJune 16, 2017<April 16, 2020

Premiere: Preserving Memories with Aaron Espe’s “Heidi”

M1LDL1FE © 2017
Music, PremieresJune 14, 2017<June 14, 2017

Premiere: Work vs. Love vs. Life, Examined by M1LDL1FE’s “Distraction”

Connect the Dots - MisterWives
Music, ReviewsJune 6, 2017<June 6, 2017

Review: MisterWives’ ‘Connect the Dots’ Is a Compilation of Mini Masterpieces

This Is Us © NBC
Columns, Music, Sound TracksMay 31, 2017<May 31, 2017

Sound Tracks: “We Can Always Come Back to This” on ‘This Is Us’

BANKS "The Altar" © 2016
Columns, Music, Today's SongMay 22, 2017<May 22, 2017

BANKS Explores Love vs. Success with Aching & Poetic “Crowded Places”

"Ballad of Cleopatra" still - The Lumineers
Features, Music, Music Videos, ReviewsMay 18, 2017<April 16, 2020

Review: The Lumineers’ “The Ballad of Cleopatra,” a Life Story Filled with Wisdom

Girls "American Bitch" © HBO
Columns, Music, Sound TracksMay 17, 2017<May 17, 2017

Film Notes: Rihanna’s “Desperado” Sparks a Provocative Moment in HBO’s ‘Girls’

Soul Scratch © Elko Photography
Music, Music Videos, PremieresMay 16, 2017<May 16, 2017

Premiere: Soul Scratch Encourage Empathy & Unity with “Look How Far We’ve Come”

Big Little Lies © HBO
Columns, Music, Sound TracksMay 10, 2017<May 10, 2017

Film Notes: Leon Bridges’ “River” in HBO’s ‘Big Little Lies’

Tank and The Bangas © Gus Bennett
Columns, Music, Music You Should Know, ReviewsMay 1, 2017<May 1, 2017

Review: Meet Tank and The Bangas, an Explosion of Depth and Joy

Don't Take the Money - Bleachers © Michael Bailey-Gates
Columns, Music, Today's SongApril 13, 2017<March 2, 2025

Today’s Song: Bleachers’ “Don’t Take the Money,” a Fight-for-What-You-Love Anthem

Posts pagination
1 … 8 9 10 11 12

Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services