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Kelly McCafferty Dorogy

Kelly McCafferty Dorogy

Kelly has been with Atwood since its earliest days in 2014. She is originally from Pittsburgh, PA, now based in New Orleans, LA and has been singing, writing, playing guitar and piano for almost all of her life. Music drives everything she does. She brings her unique perspective with each piece, always open to discovering something or someone new.

Will Killen © 2019
Columns, Music, Today's SongNovember 18, 2019<November 16, 2019

Today’s Song: Leeds Singer/Songwriter Will Killen Simplifies with New Single “Overthinking”

Lhasa © Kate Oatway
Columns, Music, Today's SongNovember 11, 2019<November 11, 2019

Today’s Song: Lhasa’s “Birdsong” Is a Folksy Dream

MisterWives 2019 © Shervin Lainez
Music, ReviewsNovember 8, 2019<April 21, 2020

Review: MisterWives’ ‘Mini Bloom’ EP Is Soul-Filled & Poetically Perfect

Christopher Paul Stelling © Chris Phelps
Columns, Music, Today's SongNovember 6, 2019<November 6, 2019

Today’s Song: Christopher Paul Stelling Negates Doubt with “Trouble Don’t Follow Me”

MisterWives 2019 © Shervin Lainez
Features, Interviews, MusicOctober 28, 2019<October 28, 2019

Real Songs, Real Talk, and Real People: A Conversation with MisterWives

Dermot Kennedy
Debut, Features, Interviews, MusicOctober 18, 2019<October 18, 2019

To Make Us Feel: An Interview with Dermot Kennedy

It's Your Bed Babe, It's Your Funeral - Maisie Peters
Features, Interviews, MusicOctober 16, 2019<October 16, 2019

Songs, Stories and Middle Eights: An Interview with Maisie Peters

Luckie © William Henry Thompson
Music, PremieresOctober 9, 2019<October 8, 2019

Premiere: UK’s Luckie Debuts Bluesy Anthem “Sad People, Bad People”

KTG
Music, ReviewsOctober 3, 2019<October 3, 2019

Review: A Common Thread of Folk & Soul Make KTG’s ‘Searching for Magpies’

III - The Lumineers album art 9.3
Music, Our Take, ReviewsSeptember 13, 2019<December 15, 2020

Our Take: The Lumineers’ III Is a Sonic and Cinematic Masterpiece

The Commonheart © Justin Boyd
Features, Interviews, MusicAugust 23, 2019<August 23, 2019

Spreading the Message of Positivity: A Conversation with The Commonheart

Kyle Donovan © Daniel Herman
Music, PremieresAugust 16, 2019<August 16, 2019

Premiere: Kyle Donovan Savors Youth with “Be a Boy”

Clubhouse © Grant Jones
Music, PremieresAugust 14, 2019<August 14, 2019

Premiere: Clubhouse Shine Bright in New Single “Lucky Soul”

Penny and Sparrow © Noah Tidmore
Features, Interviews, MusicAugust 9, 2019<August 9, 2019

Feature: Penny and Sparrow Explore Evolution in Masterpiece Sixth Album ‘Finch’

Josh Rennie-Hynes © Citizen Kane Wayne
Music, PremieresAugust 7, 2019<August 6, 2019

Premiere: Josh Rennie-Hynes Reminds Us to Stay Present with “Caught in a Dream”

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Recent Posts

  • “Fun as Rebellion”: Babes in Canyon Laugh in the Face of the Apocalypse on “Look Outside,” a Feverish Indie Pop Joyride November 12, 2026
  • “I’ll Build a New World Brick by Brick”: Danny Malone Fights for His Future on “Better Things,” a Heart-Wrenching, Life-Affirming Anthem of Second Chances November 12, 2026
  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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