• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Cloudbelly © Cara Totman
Music, Music Videos, PremieresApril 12, 2022<April 12, 2022

Premiere: Cloudbelly’s Intimate “Leavened” Reckons & Soothes in the Eye of the Inner Storm

VanWyck © Jitske Schols
Features, Music, Premieres, Track-by-TrackApril 7, 2022<April 6, 2022

Album Premiere: VanWyck Dives into Her Rich, Ambitious, & Mysterious ‘The Epic Tale of the Stranded Man’

Gary O'Neill © Zyanya Lorenzo
Columns, Music, Today's SongApril 6, 2022<April 6, 2022

Today’s Song: Gary O’Neill’s Beautifully Bittersweet “Petals” Aches with Love & Longing

almost sex © Trevor Brenden
Debut, Features, Music, Reviews, Track-by-TrackApril 6, 2022<April 14, 2022

“Warts and All”: Brooklyn’s almost sex Shine an Intimate & Raw Indie Folk Light on Debut EP ‘We’re Okay’

Maddox Jones © 2022
Debut, Features, Music, Premieres, Track-by-TrackApril 6, 2022<April 7, 2022

Album Premiere: Maddox Jones Soars on His Epic, Emotive, & Joyful Debut Album ‘Believe It’

Dekker © Emily & Katy
Music, PremieresApril 6, 2022<April 6, 2022

Premiere: Dancing the Days Away with Dekker’s Grooving “Let’s Pretend”

Foxes © 2022
Features, Interviews, MusicApril 5, 2022<September 29, 2022

“Alchemy in Dance”: Inside Foxes’ Bold, Impassioned, & Irresistible 3rd Album ‘The Kick’

Velvet © 2022
Columns, Music, Today's SongApril 5, 2022<April 5, 2022

Today’s Song: Glasgow’s Velvet Shake, Rattle, Rock N’ Roll on Electrifying 3rd Single “I Prefer You (In My Head)”

Jelly Oshen © Bridie J Egan
Music, PremieresApril 5, 2022<April 5, 2022

Premiere: Dance Along to Jelly Oshen’s Soulful Quarantine Groove “Bordalonely”

Jessie Reid © Emilie Cotterill
Artist to Watch, Features, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“Heartfelt, Vulnerable, & Optimistic”: Jessie Reid Stirs & Stuns on Intimate Mini-Album ‘Other Hand’

Ben Abraham © Danielle Levitt
Features, Interviews, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“The Colliding Worlds of Sexuality & Spirituality”: Ben Abraham Dives Inside His Stunning Sophomore LP, ‘Friendly Fire’

Miki Ratsula © Ashley Osborn
Debut, Features, Music, Track-by-TrackApril 1, 2022<April 1, 2022

“Vulnerable, Intimate, & Nostalgic”: Miki Ratsula Dives into the Beautiful Depths of Debut Album ‘i owe it to myself’

Lose You - Lydia Clowes
Columns, Debut, Music, Today's SongApril 1, 2022<April 1, 2022

Today’s Song: Lydia Clowes’ Dazzling Debut Single “Lose You” Dwells in the Vulnerability of True Intimacy

Kindsight © Line Hvid
Debut, Reviews, Track-by-TrackMarch 31, 2022<March 31, 2022

Feature: Kindsight Shine on Nostalgic, Honest, & Charming Debut Album ‘Swedish Punk’

Barrie © Alexa Viscius
Features, Music, Reviews, Track-by-TrackMarch 31, 2022<April 4, 2022

“Lush, Raw, & Cheeky”: Processing Life’s Little Moments with Barrie’s Stunning Sophomore Album, ‘Barbara’

Posts pagination
1 … 104 105 106 107 108 … 299

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services