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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sophomore Slump - Daisy Grenade
Features, Interviews, Music, Track-by-TrackMay 26, 2022<June 5, 2022

(Don’t Call It a) ‘Sophomore Slump’: Brooklyn’s Daisy Grenade Shine on Glittery, Raw, & Cheeky Debut EP

Michelle Willis © Dave Goddard
Features, Interviews, Music, Track-by-TrackMay 26, 2022<May 26, 2022

Just One Voice: Inside Michelle Willis’ Cathartic, Groovy, & Triumphant Sophomore Album

Atwood Magazine's Editor's Picks 64
Columns, Editor's Picks, Features, MusicMay 25, 2022<September 29, 2022

Editor’s Picks 64: Mega, bLAck pARty, Florist, G Flip, Johnny Hunter, & Bobbing x Maddie Jay!

Bathe Alone © Nic Huey
Music, Music Videos, PremieresMay 25, 2022<May 25, 2022

Premiere: Bathe Alone’s Urgent & Inspiring “Animals & Trees” Is an Impassioned Dream Pop Upheaval

NoSo © Bella Rose Porter
Columns, Music, Today's SongMay 25, 2022<May 25, 2022

Today’s Song: NoSo’s Intimate Rebirth “Parasites” Is a Beautiful, Spiritual Celebration

Eliza & The Delusionals © Luke Henery
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2022<September 29, 2022

“Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’

MYRNE © Jared Rezel
Features, Music, Reviews, Track-by-TrackMay 24, 2022<May 26, 2022

Finding Stillness in Turmoil: The Adventure & Emotion of MYRNE’s Soothing ‘Circles’ EP

The Darcys © Maya Fuhr
Columns, Music, Today's SongMay 24, 2022<May 24, 2022

Today’s Song: The Darcys’ “Washed Away” Is an Anthemic Reckoning with the Music Industry’s Constant Pressures

Sea Lemon © Raphael Gaultier
Debut, Features, Interviews, Music, Track-by-TrackMay 20, 2022<May 23, 2022

“Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP

Trousdale © Caity Krone
Features, Music, Reviews, Track-by-TrackMay 19, 2022<May 19, 2022

Embracing ‘What Happiness Is’: Indie Folk Trio Trousdale Shine on Truthful, Vulnerable, Optimistic Sophomore EP

II - Seafarers
Features, Interviews, Music, Track-by-TrackMay 19, 2022<May 19, 2022

“Lost & Searching, Small & Destructive”: The Unbearable, Hopeless Beauty of Seafarers’ Sophomore Album ‘II’

Atwood Magazine's Editor's Picks 63
Columns, Editor's Picks, Features, MusicMay 18, 2022<September 29, 2022

Editor’s Picks 63: Phoebe Go, Charlie Burg, Tchotchke, Bartees Strange, Rozzi x Nile Rodgers, & Lizzie Reid!

Justin Christopher © 2022
Music, Music Videos, PremieresMay 18, 2022<May 18, 2022

Premiere: Justin Christopher Erupts with “Say,” a Smoldering & Searing Outpouring of the Soul

Chemistry - Timi Afilaka
Music, PremieresMay 18, 2022<May 18, 2022

Premiere: Timi Afilaka Inspires Positive Vibes with Sunny, Seductive Single “Chemistry”

Ellevator © Stephanie Montani
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2022<May 19, 2022

“World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’

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