• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Maeve © Leanda Heler
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: Maeve Indulges in the Dark Side on Feverish Anti-Pop Anthem “Sick”

Kianja © John Phillips
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: British Singer/Songwriter Kianja Spills Her Soul in “Place for Me”

Kim Valderas
Asian American and Pacific Islander Heritage Month, InterviewsMay 25, 2021<May 27, 2021

Interview: Motown Records’ Kim Valderas Shares Her Story & Filipino Culture for AAPI Heritage Month

Vaarin © 2021
Music, Premieres, Reviews, Track-by-TrackMay 25, 2021<May 26, 2021

Of Light, Love, Loss, & Life: Vaarin Dives into Her Cinematic ‘Imaginary Movies’ EP

IgnoRANT - Racquel Jones
Debut, Features, Music, Reviews, Track-by-TrackMay 25, 2021<May 25, 2021

“Aggressive. Vulnerable. Honest.”: Racquel Jones Rises with a Fire in Unapologetic Debut ‘IgnoRANT’

Jeff Hortillosa © Ishmael Quintanilla
Music, PremieresMay 25, 2021<May 25, 2021

Premiere: Austin’s Jeff Hortillosa Tackles Explores Isolation & Mental Health in “Alone”

Course © Chloe Hamilton
Features, Music, Reviews, Track-by-TrackMay 25, 2021<August 30, 2021

“Dreamy, Joyful, Synthy”: Chicago’s Course Rise with Fresh, Spirited Debut Album ‘A Late Hour’

Lord Huron © Anthony Wilson 2021 10
Features, Interviews, MusicMay 25, 2021<February 7, 2022

Interview: Lord Huron Dive into Time’s Blur on Their “Indefinably Nostalgic” 4th Album ‘Long Lost’

Paradigmes - La Femme
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

Eclectic, Messy, & Original: La Femme Go Track-by-Track Through Third LP ‘Paradigmes’

ViVii © Rikkard Häggbom
Features, Music, Reviews, Track-by-TrackMay 24, 2021<May 24, 2021

“Feelings, feelings, feelings!”: ViVii’s Sophomore LP ‘Mondays’ Soars with Dazzling Dream Pop

Sometimes Depressed​.​.​.​But Always Antifascist - BSÍ
MusicMay 21, 2021<May 21, 2021

“Brussels Sprouts International”: Iceland’s BSÍ Come to Life on Debut ‘Sometimes Depressed​.​.​.​But Always Antifascist’

Tyne-James Organ
Debut, Features, Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

“Emotional, Real, & Raw”: Tyne-James Organ Dives into Debut Album ‘Necessary Evil’

Livingmore © Joseph Cultice
Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

Track-by-Track: Dance Your Problems Away with Livingmore’s Sophomore LP ‘Take Me’

Litany © 2021
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Litany Tackles Love & Depression in Breathtakingly Bittersweet Song “Cream”

Still Broke - Samm Henshaw
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Artist to Watch: Samm Henshaw Radiates with Rich Sounds in “Still Broke” ft. Keyon Harrold

Posts pagination
1 … 138 139 140 141 142 … 304

Recent Posts

  • Interview: Out of France’s Wine Region Comes molto morbidi, a Seasoned Artist Ready to Spin Her Sadness into Musical Gold June 25, 2026
  • “I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning June 24, 2026
  • “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ June 24, 2026
  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services