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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Notes on a Conditional Form - The 1975 9.7
Features, Music, Our Take, ReviewsMay 22, 2020<December 15, 2020

Our Take: The 1975’s Epic ‘Notes on a Conditional Form’ Is an Odyssey of Sound & Substance

Atwood Magazine Editor's Picks 35
Columns, Editor's Picks, Features, MusicMay 21, 2020<August 23, 2020

Editor’s Picks: May 21, 2020

LUCA WILDING © John Ogunmuyiwa
Debut, Music, PremieresMay 21, 2020<August 4, 2020

Premiere: London’s Luca Wilding Debuts with Raw, Impassioned “Heartachers”

Stonefox "Time" acoustic
Music, Music Videos, PremieresMay 21, 2020<May 21, 2020

Premiere: Melbourne’s Stonefox Are Intimate & Raw in Stripped “Time” Acoustic Video

Grown Ungrown - Orpine
Debut, Features, Music, Reviews, Track-by-TrackMay 20, 2020<May 20, 2020

Review: Orpine Inject Duality & Depth into Debut Album ‘Grown Ungrown’

I Do Not Have to Be Good - Emily Keener
Features, Music, Premieres, Track-by-TrackMay 20, 2020<May 20, 2020

Feature: Emily Keener’s Stunning & Stirring Sophomore Album ‘I Do Not Have to Be Good’

The Sea The Sea © Kiki Vassilakis
Music, Music Videos, PremieresMay 20, 2020<September 10, 2020

Premiere: The Sea The Sea’s Intimate “Parachute” Is a Beautiful, Enchanting Lullaby

Arther Blue © Paige Sara Wilson
Debut, Music, PremieresMay 19, 2020<May 19, 2020

Premiere: Arther Blue Evokes Rainy-Day Romance Vibes in “Wet Shoe”

altopalo © 2020 9.4
Features, Interviews, Music, Our Take, ReviewsMay 19, 2020<December 15, 2020

Feature: altopalo’s Cinematic, Tender, & Stunning Sophomore Album ‘farawayfromeveryoneyouknow’

My Ugly Clementine © Hana Fasching 8.9
Debut, Music, Our Take, ReviewsMay 19, 2020<December 15, 2020

Our Take: My Ugly Clementine’s Debut Album ‘Vitamin C’ Is Empowering, Fresh-Squeezed Indie Rock

tri patterns 2020
Music, ReviewsMay 18, 2020<May 19, 2020

Review: tri patterns’ Double Single “Kids” / “Grow” Is a Buoyant Indie Pop Light in the Dark

Boyish © Nicole Teckchandani
Music, Music Videos, PremieresMay 18, 2020<May 18, 2020

Premiere: Boyish’s “FUCK YOU HEATHER” Is a Stunning, Raw, & Impassioned Upheaval

Charlotte OC © Maximillian Hetherington
Features, Music, Reviews, Track-by-TrackMay 15, 2020<May 15, 2020

Feature: Charlotte OC’s ‘Oh the Agony, Oh the Ecstasy’ EP Is a Passionate, Soulful Surrender

Ten Kills the Pack © 2020
Music, Music Videos, PremieresMay 15, 2020<May 15, 2020

Premiere: The Visceral, Poetic Beauty of “Relaxing Apartments” & Ten Kills the Pack’s Debut EP ‘Force Majeure’

Colton Dixon © Jimmy Fontaine
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: Colton Dixon’s Intimate “Can’t Quit You” Proves a Sweetly Seductive Love Song

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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