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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Luke Sital-Singh © Hattie Ellis
Music, Music Videos, Premieres, ReviewsApril 10, 2019<April 10, 2019

Premiere: Luke Sital-Singh’s “Raise Well” Radiates Hope & Love in a Golden State of Mind

Covey © Matt Marino
Music, PremieresApril 9, 2019<April 9, 2019

Premiere: Covey’s Poignant Acoustic Lullabye “Stable Now”

Paper Beat Scissors © Alex Pearson - Kyle Cunjak
Music, PremieresApril 9, 2019<April 9, 2019

Premiere: Paper Beat Scissors Charms with Radiant & Sly “Don’t Mind”

Cicada Songs - Trevor Sloan
Music, PremieresApril 8, 2019<April 8, 2019

Premiere: Trevor Sloan’s Psych-Folk Dream “Faces I Love”

Atwood Editor's Picks 2019-04-08
Columns, Editor's Picks, Features, Music, PlaylistsApril 8, 2019<April 30, 2019

Editor’s Picks: April 8, 2019

Hollywood Gold - The Prescriptions
Debut, Music, ReviewsApril 5, 2019<April 8, 2019

Review: The Prescriptions’ Debut ‘Hollywood Gold’ Is a Raw Dose of the Good Stuff

"Deer Head" by Megan Nash
Music, Music Videos, PremieresApril 5, 2019<April 5, 2019

Premiere: Megan Nash’s “Deer Head” Is a Raw, Aching Anthem for the Heavy-Hearted

No Saviors EP - CLAVVS
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP

The Away Days © 2019
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Dream Pop Duo The Away Days Return with Poignant & Soaring “Designed”

Anima & Ennui © Jay Messenger
Debut, Music, PremieresApril 3, 2019<April 3, 2019

Premiere: Anima & Ennui Embrace Life in Haunting Debut “Nothing Better”

Promise to Send
Music, Music Videos, PremieresApril 2, 2019<April 2, 2019

Premiere: Tanbark’s “Promise to Send” Video Immerses Us in Dreamy Nostalgia

Surprises © Taylor Thomas Paschal
Debut, Music, PremieresApril 2, 2019<April 2, 2019

Premiere: Letting Loose with Surprises’ Raw, Catchy & Volatile “Natural Disaster”

Tara Terra © Morgan Ciesielski
Music, PremieresApril 1, 2019<April 2, 2019

Premiere: Tara Terra Return with Irresistibly Raw “Ithaca”

The Weird Years © Shervin Lainez
Features, Interviews, Music, ReviewsMarch 29, 2019<March 29, 2019

Feature: The Weird Years Dive into Their Self-Titled Masterpiece

Kuri © Rachel Pick
Music, PremieresMarch 29, 2019<March 29, 2019

Premiere: The Breathtaking Genius of Kuri’s Avant-Folk Masterpiece “Sort Sol”

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Recent Posts

  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
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  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
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  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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