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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Editors Picks 03-04-2019
Columns, Editor's Picks, Features, MusicMarch 5, 2019<March 8, 2019

Editor’s Picks: March 4, 2019

ØZWALD © Erick Frost
Music, PremieresMarch 5, 2019<March 5, 2019

Premiere: ØZWALD’s Catchy “As the Crow Flies” Is an Existential Beacon of Light

Firewoodisland © 2019
Music, PremieresMarch 5, 2019<May 3, 2023

Premiere: Firewoodisland’s Breathtakingly Beautiful Tempest, “Storm”

Cayucas © 2019
Music, Music Videos, PremieresMarch 5, 2019<March 5, 2019

Premiere: Cayucas Charm with Light & Love in “Jessica WJ”

Little Coyote © 2019
Music, PremieresMarch 4, 2019<March 5, 2019

Review: Abuse and Romance in Little Coyote’s Aching “Witness”

Ryan Von Gonten © 2019
Music, Music Videos, PremieresMarch 4, 2019<June 7, 2024

Premiere: The Hazy Bloom of Ryan Von Gonten’s “Corpse Flower”

Deep Water - Cape Francis
Music, Premieres, ReviewsMarch 1, 2019<March 2, 2019

Album Premiere: Cape Francis’ ‘Deep Water’ Is Raw Alternative Bliss

Donovan Woods © Matt Barnes
Features, Interviews, MusicFebruary 28, 2019<March 20, 2019

The Anxious, Liminal Life on the Road: An Interview with Donovan Woods

The Next Great American Novelist © Shervin Lainez
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Next Great American Novelist Return with Infectiously Alternative “Blackberry”

Calan Mai music
Music, PremieresFebruary 28, 2019<February 28, 2019

Premiere: Calan Mai’s Catchy “Friend of a Friend,” a Tender Love Song to an Ex

Vesper Wood © Imani Givertz
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Hauntingly Intimate Empowerment of Vesper Wood’s “The Wall”

Matthew Pinder
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Tender Ache of Matthew Pinder’s “Break My Heart and Let Me Go” ft. Molly Bush

Travis Hayes 2019
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Stirring Nostalgia of Travis Hayes’ Rich “Empty Orchestra”

Paper Jackets © 2019
Interviews, Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Video Premiere: Paper Jackets Set Off in Impassioned Anthem “Trigger”

Lost Leaders 2019
Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Satisfy Yourself with Lost Leaders’ Catchy Critique, “People Like Us”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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