• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Funeral Advantage © Caroline Bailey
Music, PremieresJanuary 17, 2019<January 17, 2019

Premiere: Funeral Advantage’s Stirring “Black House,” an Indie Pop Confession

Unofficial Lover - Kyan Palmer x nicopop. ft. Yung Lamby
Debut, Music, PremieresJanuary 17, 2019<January 17, 2019

Heartache Never Felt So Good: Kyan Palmer & nicopop.’s “Unofficial Lover” ft. Yung Lamby

Patrick Damphier © Satellite June
Music, Music Videos, PremieresJanuary 17, 2019<January 16, 2019

Premiere: Patrick Damphier’s Confessional Protest “Odd Man Out” ft. Molly Parden

Dinolion's RASHOMON
Music, Music Videos, PremieresJanuary 16, 2019<January 16, 2019

Premiere: Dinolion’s Film ‘Rashomon’ Explores Perceived Reality with 14 Houston Artists

Fort Frances
Music, PremieresJanuary 16, 2019<January 16, 2019

Premiere: Fort Frances Urge Us to Press Pause in “Double Take”

Turn This Love Around - Michael Burrows
Music, Music Videos, PremieresJanuary 15, 2019<January 15, 2019

Watch: Heart, Warmth, and Hope in Michael Burrows’ “Turn This Love Around”

Butterjack © Jodie Guest
Music, PremieresJanuary 15, 2019<January 15, 2019

Premiere: Butterjack’s “Hot Sauce” Is a Love Song with a Bite

Noble Kids 2019
Music, PremieresJanuary 15, 2019<January 15, 2019

Premiere: False Hopes & Love in Noble Kids’ “West of Here”

Editor's Picks 01-14-2019
Columns, Editor's Picks, MusicJanuary 15, 2019<March 8, 2019

Editor’s Picks: January 14, 2019

Land of the Free - The Killers
Features, Music, Reviews, This Just InJanuary 15, 2019<January 24, 2019

The Killers’ Impassioned “Land of the Free,” an American Protest

All My Friends - Matt Koelsch & Georgia Feroce
Music, PremieresJanuary 14, 2019<January 14, 2019

Premiere: Living Right with Matt Koelsch & Georgia Feroce’s Inspiring “All My Friends”

Andy Frasco & The U.N. 2019
Music, PremieresJanuary 14, 2019<January 14, 2019

Premiere: Andy Frasco & The U.N. Shine in Tender “Can’t Force Love”

Jerry Williams © Phoebe Fox music
Features, Interviews, MusicJanuary 11, 2019<January 28, 2019

Here’s to a Good Life: Jerry Williams’ Raw & Intimate Song “David at the Bar”

Lostboycrow © Samantha Sheldon
Music, PremieresJanuary 10, 2019<January 24, 2019

Premiere: Elation & Connection in Lostboycrow’s “Orange Juice” & “Stargazing with Patrick Bateman”

Strange Open Land - Alex Di Leo
Music, Music Videos, PremieresJanuary 9, 2019<January 9, 2019

Premiere: Alex Di Leo’s “Strange Open Land” Revels in Young Love’s Seduction

Posts pagination
1 … 206 207 208 209 210 … 293

Recent Posts

  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services