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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Some Good Lives - Shook Twins
Music, Premieres, ReviewsFebruary 14, 2019<February 15, 2019

Album Premiere: Shook Twins Embrace Love & Life in Moving ‘Some Good Lives’

ANNALIA © Sara Kiesling
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Floating on Clouds with ANNALIA’s “Hold My Breath”

Kesley Bulkin © Canh Nguyen
Interviews, Music, This Just InFebruary 12, 2019<February 12, 2019

Interview: Kelsey Bulkin Makes the First Move with “Kareem”

Oh Dead On Oh Love - Lisa Papineau
Features, Music, Premieres, ReviewsFebruary 12, 2019<February 12, 2019

Album Premiere: The Enchanting Depth of Lisa Papineau’s ‘Oh Dead On Oh Love’

Bohannons © William Joseph Johnson
Music, PremieresFebruary 12, 2019<March 2, 2025

Premiere: Bohannons’ Raw “Refills” Sheds Light on the Opioid Crisis

Kaitie Forbes © Rachel Domonique
Debut, Music, PremieresFebruary 12, 2019<February 12, 2019

Premiere: Kaitie Forbes Soars on Intimate Alt-Pop Outpouring “At the Same Time”

Henry Jamison © Shervin Lainez
Features, Interviews, MusicFebruary 11, 2019<March 1, 2019

Interview with Henry Jamison: ‘Gloria Duplex’, Transcending Prejudice & Seeing Both Sides

Kisos - Happily Ever After Art
Music, PremieresFebruary 11, 2019<February 13, 2019

Premiere: Accepting Denial with Kisos’ Lovelorn “Happily Ever After”

The Dip © Coco Foto
Music, Our Take, ReviewsFebruary 8, 2019<February 8, 2019

Review: ‘The Dip Delivers’ Breaths Fresh Life into a Classic Soul Sound

Army - Otis Simpson
Debut, Music, PremieresFebruary 7, 2019<February 7, 2019

Premiere: Otis Simpson’s Mighty Debut Single “Army” Channels Tension into a Confident Cry

Post Script © 2019
Music, PremieresFebruary 7, 2019<February 7, 2019

EP Premiere: Hardship & Healing in Post Script’s ‘The Light I Can’t Block Out’

VHS Collection © Shervin Lainez
Music, PremieresFebruary 7, 2019<February 7, 2019

VHS Collection’s Euphoric Anthem “Dreaming” Inspires Self-Confidence

Editor's Picks 02-04-2019
Columns, Editor's Picks, Features, MusicFebruary 6, 2019<February 19, 2019

Editor’s Picks: February 4, 2019

Clara Baker © Amanda Long
Music, PremieresFebruary 6, 2019<February 6, 2019

Premiere: The Haunting Warmth of Clara Baker’s “Middle of the Night”

Variety Hour - Deidre & The Dark art
Debut, Music, Premieres, ReviewsFebruary 5, 2019<February 5, 2019

Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
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  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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