• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

FERGUS © 2018
Features, Music, ReviewsDecember 7, 2018<December 7, 2018

Review: The Darkness & Beauty of FERGUS’ Debut ‘Purple Road’ EP

Good Old War music
Music, Music Videos, Premieres, ReviewsDecember 7, 2018<December 7, 2018

Premiere: Good Old War Conclude Their EP Series with Radiant, Uplifting Beauty

Raindear © Beata Cervin
Music, PremieresDecember 7, 2018<December 7, 2018

Premiere: Indulge in Raindear’s Vivid Wonderland, “World Below”

Ed Prosek © Laura Guitana
Music, Music Videos, PremieresDecember 7, 2018<December 7, 2018

Premiere: The Intimate Weight of Ed Prosek’s “I Was Wrong (Acoustic)”

Night Lights © Nathan Tecson
Music, PremieresDecember 6, 2018<December 6, 2018

Premiere: Night Lights Dazzle with Intimate “Talk to Me (stripped)”

Astralingua © Lisa Siciliano
Interviews, Music, PremieresDecember 6, 2018<December 6, 2018

The Celestial Intimacy of Astralingua’s “A Poison Tree”

Gabrielle Aplin © Louie Banks
Features, Interviews, Music, ReviewsDecember 6, 2018<December 5, 2018

Feature: Gabrielle Aplin Dives into Her Raw, Breathtaking “My Mistake”

Gavin Haley by Red Bull Records
Music, PremieresDecember 5, 2018<December 5, 2018

Premiere: Falling for Gavin Haley’s Raw, Heartfelt Confessional “Jet Lag”

Upstate © Jennifer Elrod
Music, PremieresDecember 5, 2018<January 17, 2023

Premiere: The Bold, Impassioned Grace of Upstate’s “Who Knows”

Tishmal © 2018
Music, PremieresDecember 4, 2018<December 4, 2018

Premiere: The Enchanting Weight of Tishmal’s “Heavy”

Tessa Rae "Digital Girl" © 2018
Interviews, Music, Music Videos, PremieresDecember 4, 2018<December 4, 2018

Premiere: Indulge in Tessa Rae’s Alluring, Self-Aware “Digital Girl”

Slow Down Ego - Moon Ruin
Music, Music Videos, PremieresDecember 3, 2018<December 3, 2018

Premiere: Sink into “Slow Down Ego,” Moon Ruin’s Ethereal Dream

Editor's Picks 12-3-2018
Columns, Editor's Picks, MusicDecember 3, 2018<December 10, 2018

Editor’s Picks: December 3, 2018

Skela © Rachel Turley
Music, Music Videos, PremieresDecember 3, 2018<December 3, 2018

Premiere: Intoxication and Longing in Skela’s Raw “Heartbreak & Liquor”

Buddie © 2018
Music, Music Videos, PremieresDecember 3, 2018<December 3, 2018

Premiere: Celebrating Millennial Awkwardness with Buddie’s Underdog Anthem “Sink”

Posts pagination
1 … 209 210 211 212 213 … 293

Recent Posts

  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services