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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

AO Aria Pullman Ostrander © 2018
Debut, Music, Music Videos, PremieresNovember 30, 2018<November 30, 2018

Video Premiere: AO Ascends with Bluesy Aches on Moody Debut “Lonely Hunter”

Harms music 2018
Debut, Music, PremieresNovember 29, 2018<November 29, 2018

EP Premiere: Dive into the Intimate Darkness of HARMS’ Debut ‘Aquarium’

Boy Bjorn © Kate Holl
Covers, Music, PremieresNovember 29, 2018<December 20, 2018

Premiere: Boy Bjorn’s Haunting “All I Want for Christmas Is You” Reinvents a Holiday Classic

Swan Levitt © 2018
Features, Music, PremieresNovember 29, 2018<November 29, 2018

Premiere: Swan Levitt’s “Younger” Enchants with Tender Beauty & Heartbreaking Nostalgia

Twilight Driving © Sam Shaw
Music, PremieresNovember 29, 2018<November 29, 2018

Premiere: Twilight Driving Inject Passion & Place into Infectious Anthem “Dangerous”

Restless Modern
Music, PremieresNovember 28, 2018<November 28, 2018

Feature: Bright Dreams & Dark Doubt Color Restless Modern’s Intimately Raw “You Won’t”

Small Culture "BYE"
Music, Music Videos, PremieresNovember 28, 2018<November 28, 2018

Premiere: Regret & Reflection in Small Culture’s Beautifully Bittersweet “BYE”

Vincent John © Louie Kovatch
Features, Music, ReviewsNovember 28, 2018<November 28, 2018

EP Review: A Full Glass of Vincent John’s Fresh-Squeezed ‘Tangerine’

The Dodos © Andy De Santis
Features, Interviews, MusicNovember 27, 2018<November 27, 2018

Adapting and Evolving: The Dodos Dive into Their Defiant ‘Certainty Waves’

Jordan Tariff © Jory Lee Cordy
Debut, Music, PremieresNovember 27, 2018<January 28, 2026

Premiere: Own Your Life with Jordan Tariff’s Breathtaking Debut Single “Warning Shot”

The Sweetheart Deal © 2018
Features, Music, PremieresNovember 27, 2018<December 20, 2018

Premiere: Indulge in Holiday Cheer with The Sweetheart Deal’s “Jingle Bells”

Ottawa © Bradley Atom
Music, Music Videos, PremieresNovember 26, 2018<February 4, 2019

Premiere: Ottawa Dazzle with Tender Passion in Acoustic “No More Love Songs”

Far Caspian © Jeff Barnett
Debut, Music, ReviewsNovember 21, 2018<November 21, 2018

EP Review: Nostalgic Beauty Floods Far Caspian’s Dreamy Debut ‘Between Days’

Matt Pond © 2018
Features, Interviews, Music, PremieresNovember 21, 2018<December 10, 2018

Matt Pond Gives Back in Breathtaking Led Zeppelin Cover “Thank You”

Harry Pane © 2018
Columns, Interviews, Music, Today's SongNovember 20, 2018<November 20, 2018

Harry Pane’s Intense “Heart’s Rhythm” Embraces Love with a Passion

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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