• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Corey Kilgannon © 2017
Debut, Features, Music, Our Take, ReviewsNovember 21, 2017<November 21, 2017

Feature: Diving into The Depth & Humanity of Corey Kilgannon’s ‘The Hollow II’

Jess Nolan © 2017
Music, PremieresNovember 21, 2017<November 21, 2017

Premiere: Jess Nolan Soulfully Embraces Her “Mistakes”

Lake Jons © 2017
Features, Music, PremieresNovember 20, 2017<November 20, 2017

Premiere: Lake Jons “Breathe Out the Fumes” with Empowering Passion

VEMO © 2017
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: The Driving Lament of VEMO’s “My Sad 71”

Big Hair Girls © MBKoeth
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017

Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween”

The Rigs © 2017
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017

Video Premiere: The Rigs Assert Intimate Independence in “The Hunted”

OYLs © 2017
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: OYLS Keep It Light on Electric Tribute, “Jerry”

keilan creech © Seth Caskey
Debut, Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection

Monikers © Lucero Photography
Music, PremieresNovember 17, 2017<November 17, 2017

Premiere: Monikers’ Frigid and Fiery “Glacial Pace”

Ekurtis © 2017
Music, PremieresNovember 17, 2017<November 16, 2017

EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve

LIEZA © 2017
Music, PremieresNovember 16, 2017<November 16, 2017

Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance”

Speedy Anejo - Antagonista
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: The Anxious Intensity of Antagonista’s “Speedy Anejo”

We Can Die Happy - Tennis
Features, Music, Our Take, ReviewsNovember 15, 2017<December 11, 2017

Our Take: The Dreamy Depths of Tennis’ Magical ‘We Can Die Happy’ EP

Elwell © 2017
Music, PremieresNovember 15, 2017<November 15, 2017

Premiere: Elwell “Claps” for Clarity and Closure

Sleight of Hand © POP ETC
Features, Music, Music Videos, PremieresNovember 15, 2017<November 15, 2017

Premiere: POP ETC’s Dreamy “Sleight of Hand” Begs for Balance in Chaos

Posts pagination
1 … 244 245 246 247 248 … 290

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services