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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Amira B © 2017
Debut, Music, PremieresMay 16, 2017<May 16, 2017

Premiere: Amira B Finds Her Voice on “I Am Defined”

Ward White © Heidi Adams
Music, PremieresMay 15, 2017<May 15, 2017

Premiere: The Poignant Identity Struggle of Ward White’s Majestic “Spurs”

The Planters © 2017
Debut, Music, PremieresMay 15, 2017<May 15, 2017

Premiere: The Urgency & Passion of The Planters’ “There’s No Time”

Smith & Thell © 2016
Debut, Features, Interviews, Music, Our Take, ReviewsMay 12, 2017<May 12, 2017

Feature: The Energy and Emotion of Smith & Thell’s Debut ‘Soulprints’

Gold into Dust - Nadia Kazmi album art
Features, Music, PremieresMay 11, 2017<March 2, 2025

Album Premiere: Nadia Kazmi’s ‘Gold Into Dust’ Embraces Raw Reflection and New Dreams

Tomten © Brady Harvey
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Ill-Fated Love of Tomten’s “Limbo’s Daughter”

King Cardinal © Scott McCormick
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: King Cardinal Embrace the Moment on Warm “Seventeen”

Until We Both Get Bored - Zander Hawley
Debut, Features, Interviews, Music, ReviewsMay 11, 2017<May 11, 2017

Review: Zander Hawley Captures the Pain, Intimacy & Beauty of Heartbreak

The Junction © Justin Broadbent
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Junction Take Control of Life on “Changes”

get over it - tinmouth still
Music, Music Videos, PremieresMay 10, 2017<May 11, 2017

Premiere: The Social Critique of Tinmouth’s Biting “Get Over It”

Doghouse Charlie © 2017
Music, PremieresMay 10, 2017<May 10, 2017

Premiere: Doghouse Charlie’s “Susquehanna,” a Psychedelic Symphony to Nature

SYML © Adrian Ragasa
Features, Music, PremieresMay 10, 2017<May 10, 2017

Premiere: SYML’s Haunting Cover of “Mr Sandman” Gives New Life to an Old Classic

Maps & His Mothball Fleet © Rovi
Music, Music Videos, PremieresMay 9, 2017<May 9, 2017

Video Premiere: Hope and Distance on Maps & His Mothball Fleet’s “A Lot Becomes a Little”

Rival Shapes © 2017
Music, PremieresMay 9, 2017<May 9, 2017

Premiere: Rival Shapes’ “The Longing” Burns with Love & Poignant Nostalgia

Carry Illinois © 2017
Music, PremieresMay 8, 2017<November 29, 2017

Premiere: The Resilient Energy of Carry Illinois’ Somber “Little Shell”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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