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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Boston Calling Fall 2015
Features, Festival, Music, News, PreviewsSeptember 24, 2015<September 24, 2015

(Y)Our Guide to Boston Calling Music Festival, Fall 2015

Dustin Tebbutt
Features, Interviews, MusicSeptember 22, 2015<September 22, 2015

Breaking From The Breach: A Conversation with Dustin Tebbutt

Smile - The Royal Concept
Features, Interviews, MusicSeptember 17, 2015<September 17, 2015

Dirty and Sunny: A Conversation with The Royal Concept

Dresses
Columns, Music, Today's SongSeptember 16, 2015<August 24, 2018

Today’s Song: The Empathetic Beauty of Dresses’ “Catch”

truth. - James Scott
Features, Interviews, Music, Today's SongSeptember 11, 2015<September 11, 2015

The Self and The “truth.”: A Conversation with James Scott

Coming Home - Young Rising Sons
Columns, Music, Music Videos, Today's SongSeptember 9, 2015<September 10, 2015

Today’s Song: The Eerie Homecoming of Young Rising Sons’ “Coming Home”

Jarryd James (YouTube screenshot from "Do You Remember")
Debut, Features, Music, Our Take, ReviewsSeptember 8, 2015<November 12, 2015

Our Take: Jarryd James Debuts With Love and Restraint

9.1
Debut, Features, Interviews, Music, ReviewsSeptember 4, 2015<September 4, 2024

Lyrics, Melody, and Meaning: A Conversation With Oh Wonder

Dustin Tebbutt Home
Columns, Music, Today's SongSeptember 1, 2015<September 1, 2015

Today’s Song: The Warm Glow of Dustin Tebbutt’s “Home”

The Royal Concept - Press Photo
Features, Music, Our Take, ReviewsAugust 31, 2015<August 31, 2015

Our Take: The Royal Concept Return With A “Smile”

A Silent Film are Spencer Walker (left) and Robert Stevenson (right)
Features, Interviews, MusicAugust 27, 2015<October 10, 2015

Anthems and Independence: A Conversation With A Silent Film

Hunter Hunted, credit: Lindsey Byrnes
Atwood On Tour, Columns, Features, Interviews, MusicAugust 25, 2015<March 2, 2025

Atwood On Tour: Keeping Together With Hunter Hunted

Columns, Features, Music, Music You Should Know, ReviewsAugust 20, 2015<May 8, 2016

Music You Should Know: “Have You Heard” The Struts

Atwood On Tour, Columns, Concerts, Features, Interviews, MusicAugust 17, 2015<October 7, 2015

Atwood On Tour: Doubling Down With Young Rising Sons

LOREN
Columns, Debut, Music, Today's SongAugust 13, 2015<August 14, 2015

Today’s Song: The Darkness and Longing of LOREN’s “Echo”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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